There may be more Guardians of the Galaxy trailers coming, but seeing that the movie is coming out in a bit less than two weeks, this is the last one (unless a new one has something more interesting to reveal) that I intend to post. The reason being, as far as I am concerned they’re just preaching to the converted.
This trailer revolves around the coming together Peter Quill/Star Lord, Gamora, Drax, Rocket & Groot, the beings that will come to be known as the Guardians of the Galaxy. They meet in the intergalactic prison known as the Kyln (an awesome name, by the way), though if the trailer is at all accurate, they won’t be there long.
The movie looks awesome and early reviews are positively glowing, so unless all of the sudden everything goes off the rails, I am expecting it to be pretty awesome.
In the TV Spot No. 17, from Marvel’s Guardians of the Galaxy you see a bit more of Groot and his relationship to Rocket. Though what interested me most about the trailer is the way Rocket speaks. He says: “Yes, you did, I just saw you do-ing it. Why you ly-ing.”
And he sounds awfully ethnic, in fact, Hispanic. Since Rocket is voiced by Bradley Cooper it’s seems unlikely that’s the feel he was going for; but don’t take my word for it, listen around the 0:04 mark.
It’s an odd bit of voice work.
I enjoy horror and science fiction movies, primarily, but they’re not the only type that I enjoy. For instance, John Schlesinger’s Marathon Man, Sydney Pollack’s Three Days of the Condor, George Roy Hill’s Slap Shot and Robert Altman’s M.A.S.H are four films that I hold in particularly high esteem.
Which is primarily because they’re so different than what I typically view, which gives me a greater appreciation for them, as well as the movies that I watch more often.
Which is why I the last movie that I saw was Boyhood. It’s not something that I would normally seek out, but was rewarding in its own way.
The same thing applies to John Michael McDonagh‘s Calvary. I missed his last film, The Guard, so I want to make sure that I catch his latest.
And what better way than at an Advance Movie Screening!
Boyhood Is A Fascinating Movie More Because Of How It Was Made, Than The Movie Itself
I just saw Richard Linklater’s Boyhood, and it was pretty interesting, though mostly on the technical level (it was filmed over a period of 12 years); as an exercise in innovative filmmaking. As a movie meant to engage an audience, it’s way too long–clocking in at almost three hours–and also curiously mistitled because for a movie named ‘Boyhood’ it deals very superficially with the ‘boy,’ of the title, Mason (Ellar Coltrane).
Traditional movies, when you see a young person age any length of time they’re typically played by a younger actor; so to see an actor literally age in front of you is pretty remarkable.
The problem is that Linklater doesn’t do anything–beyond the obvious–with his innovative idea. Mason and his family go through ups, as well as downs (exemplified mostly by Mason’s mom, Patricia Arquette, and her serial marriages).
The actors all do their jobs well, though Ethan Hawke is particularly welcome as Mason’s father. The thing is, if you take away the fascinating way that the movie was made, I honestly think Boyhood would be a pretty ordinary drama because when you get down to it the concept–watching a character literally age before our eyes–is the most interesting thing that it has going for it.
Though once you get used to that, which for me happened sometime around the 2 hour mark, when I began to get a bit antsy, and things got a bit less interesting.
I don’t get this movie. There’s a small town, heinous crimes involving young women and someone played by Daniel Radcliffe growing horns. Horns was written by Joe Hill, who happens to be the son of Stephen King. He’s probably not as prolific as his dad (which means that he’ll produce a full-length novel only every other week).
What’s in the movie’s favor is that it was directed by Alexandre Aja, who did High Tension, the reboot of The Hills Have Eyes (awesome movie, for my money the most wholesome horror film I have ever seen. I’d make it mandatory family viewing) and Mirrors.
If anyone had asked me if a movie about a twister being turned into a shark-delivery system was a good idea, I’d humor them a bit before I said: “A twister full of sharks?! That’s the dumbest idea I have ever heard of!”
“Now get out of my office!”
Which would have, in hindsight, been the wrong approach entirely because the original Sharknado somehow was able to overcome the dopiness of a pretty silly concept to become a genuine phenomenon.
Cheesy special effects, terrible acting and a dumb premise. Not traditionally the stuff hits are made from.
Wha!? “You have no idea what you’re talking about,” you’re probably saying to yourself. The Dark Knight Rises earned over a billion dollars! Man of Steel took in almost $669 million! What do you mean Green Lantern, which earned almost $220 million on a $200 million budget”
Ok, if you’re thinking short-term, then The Dark Knight and Man of Steel were significantly more successful that Green Lantern, but long term…
- The Christopher Nolan Batman Films Were Never Intended To Be A Template For An Entire Cinematic Universe
How do I know that? Have I been hanging out with Nolan, discussing what he would or wouldn’t have done with Batman? No, but what I do know is that the universe that Nolan created with his Batman was a self-contained one, with virtually no connections between it to the greater DC Comics universe. I believe that that’s the case because Nolan treated the character in a semi-realistic fashion, which the polar opposite to any other DC movie characters (and I include Arrow, who’s depiction was very much based upon that Batman’s).
In other words, Batman, as defined by Nolan began with Batman Begins, and ended with The Dark Knight Rises.
This looks awesome. The Pixar-infusion to Disney Animation has apparently done wonders because this looks incredible. Now combined with some goodness from the Marvel side of the family, there’s virtually no way that Big Hero 6 can’t be a hit.
From what I can tell from the trailer Brian A. Miller‘s The Prince has nothing at all to do with Machiavelli’s book, which is a pity because I think it would be particularly neat to see a bad guy who treated it as his moral compass.
That being said, the ‘Prince’ is this particular instance is Paul (Jason Patric), who was known by that moniker when he was an assassin. Now he works as a mechanic–I have no idea why. It seems to me that it would be good job to take if he wanted to stay under the radar, but seeing that we’re talking about movies and assassins are generally really well-paid, I am not quite seeing it.
In any case, somehow his activities in that prior life are discovered by Omar (Bruce Willis, unfortunately not Michael K. Williams), who apparently had someone he loved killed by the Prince, and wants payback.
So he kidnaps Paul’s daughter.
Now you’re probably wondering if I just forgot to include Liam Neeson, and you’d be right because it does sound like a more morally ambiguous version of Taken.
And what is it with John Cusack, who plays ‘Sam?’ This is the second movie that I have seen him in where he plays second fiddle to another actor. The first was Frozen Ground, with Nick Cage (great movie, by the way) and now this. And that’s not meant to be critical of Jason Patric, though Cusack could probably bring a greater earnestness to the role.
And also, doesn’t it also sound like an Antoine Fuqua movie? It feels like something that he was, at the the very least, considered for because it fits perfectly with the type of films he tends to work on.
As you can tell from the screenshots of the Tweets that I have included below, I have been having a few conversations with Baymax, of Disney’s upcoming Big Hero 6. He’s very literal, as is the way with most machines–and reminds me quite a bit of Apple Inc’s Siri.
Besides, how can you resist a mug like that? And if you’re unfamiliar with who he–or should I say “what” Baymax is–I have included a trailer from the upcoming feature (which is based upon Marvel Comics’ Sunfire And Big Hero Six).
Sunfire isn’t joining the team this time around because he’s currently licensed to 20th Century Fox (and appeared in X-Men: Days Of Future Past).