‘Terminator: Genisys’ Trailer

Do we really need–or more importantly, want–another Terminator movie?  Especially since the last movie in the saga, Terminator Salvation, performed relatively mediocre?

Well, according to Paramount and Skydance, we do.

Enter: Terminator: Genisys.

The trailer looks okay, but is it really doing something that we have already seen?  Or is it bringing something new to the table?

I am assuming the former.

And what’s with the rather creative spelling of ‘Genesis,’ anyway?

‘Da Sweet Blood Of Jesus’ Trailer

I might have to turn in my African-American membership card after I admit this, but I have never been a huge fan of Spike Lee’s films.  I often admire what I assume are his goals when making them, but in my eyes the final execution always left something to be desired because (it felt to me) that he brought a self-indulgence to most of his projects that distracted from the project itself.

This is why movies like his remake of Oldboy, Inside Man and to a lesser extent, Clockers, are three of my favorite movies of his.  In the three aforementioned films, his stylistic flourishes (his signature move would typically have a person on a dolly moving through a scene as if on rails–which in a sense they were–always felt dream-like and fantastical to me) were minimal.

But his confrontational style and the way he did what he did, and damn anyone who didn’t like it?  That was awesome.

His most recent film, the Kickstarter-financed, Da Sweet Blood Of Jesus, seems to play with themes and ideas most often seen in vampire movies and looks to be typically Spike Lee (by which I mean self-indulgent and meandering) though I am curious what a Lee-directed vampire movie would look like.

Mea Culpa: The ‘Star Wars: The Force Awakens’ Edition

I admit it, I shat the bed, figuratively speaking.  When I saw the trailer below, I assumed that it was for J.J. Abrams’ upcoming Star Wars sequel, The Force Awakens, and should have known better.

Why?  Because a huge clue was staring me right in the face the entire time, which I have posted just below.

Bat Robot logo

Bad Robot logo

For those who are unaware, Bad Robot is the production company owned by Abrams (Mutant Enemy is owned by Joss Whedon, which is why you see it credited at the beginning of Marvel’s Agent’s Of S.H.I.E.L.D.).

For it to appear on the latest Star Wars trailer would mean that mean that Disney and Lucasfilm were sharing the wealth, so to speak, with Bad Robot.

Which is a relatively stupid idea, if you give it any sort of thought because Disney just finished paying $4 billion for Lucasfilm and the last thing they would do is to share any potential profits with Bad Robot–which isn’t to imply that Abrams isn’t making a buttload of money from directing it, because he probably is.

I have posted the actual trailer below (The Force Awakens will always sound to me like the title of a movie on Lifetime, mainly because there’s something oddly feminine about it) and it’s pretty good, though not quite as dynamic as the fake.

StudioADI And ‘I Am Legend’

I liked most of I Am Legend, based on the story by Richard Matheson, though my admiration stopped at the computer-generated effects, which tended toward the cartoony.  What makes matters even worse was that StudioADI was actually working on practical special effects on the movie for a time (which actually effected the way that I looked at the director, Francis Lawrence for awhile, and not in a good way).

Included in the video are concept drawings, clay maquettes as well as actually makeup tests on models (it got that far before the approach was abandoned).

The makeup work looks pretty awesome and would have made a decent movie significantly better, which is why I am mystified they didn’t go with it.

Comforting Skin – Review

Comforting Skin poster

“”Comforting Skin” is a decent movie, yet why do I feel gyped?”

Derek Franson‘s Comforting Skin is actually a pretty decent thriller, though its biggest problem is that it advertises itself as one thing, when in actuality it’s something else.

If you look at the trailer, it feels to me like a horror movie in the vein of Psycho or Magic (or some other movie where someone loses their mind, and goes on a killing spree).  As if that weren’t interesting enough, her tattoo talks to her (voiced by Victoria Bidewell, who also plays ‘Koffie’).

In theory it sounds like a great movie, that is till you actually see it, when it becomes fairly obvious that Comforting Skin, while a thriller, isn’t a horror movie.  Horror-adjacent maybe, but a horror movie?  Not at all.

Koffie is a single woman who who lives with a friend, Nathan (Tygh Runyan) whom she appears attracted to, though she doesn’t let on.  Nathan is an actor, which is fitting because his hair looked like he was in an Off-Broadway production of Streets Of Fire (which is a bit unfair though it was distracting as hell).

Bidewell is a pretty actress, though not incredibly so.  She makes up for being somewhat conventionally attractive by being very bold, and unafraid of nudity in service of the story.  It was refreshing to see, especially for a woman that has a few curves and doesn’t look anorexic.

Koffie was feeling a bit insecure, after going to clubs night after night, yet having no one to show for her efforts.  Seeking to shake things up, she gets a tattoo and hopes that it’s the beginning of a change.

And it is, though not of the sort she expected; which leads to the biggest problem with Comfortable Skin–besides not being a horror film, despite coming off as one in the trailer and the poster–namely that the whole tattoo subplot is unnecessary to the movie.  You could excise it like an unwanted growth, and things would unfold pretty much the same.

Which is a pity because the last thing that I recall seeing about tattoos that drove people to murder was the X-Files episode, Never Again.

So if want to see some killer tattoos, I guess I’ll have to watch it again.

 

 

Comfortable Skin is currently on Netflix.

The (Un)necessary Remake Dept: DeepStar Six

No, DeepStar Six, isn’t the latest Ultramarionation feature from Jamie Anderson, but a undersea horror movie from Sean Cunningham (Friday the 13th) that was followed in quick succession by George P. Cosmatos’ Leviathan, and culminated five months later in James Cameron’s far superior The Abyss.

DeepStar Six revolves around a US Navy mission to place an undersea missile sled on the ocean floor; an action that only makes sense when you take into account that the United States was approaching the end of the Cold War with the Soviet Union.

Dr. Van Gelder (Marius Weyers) is there to ensure that the missile platform is built before they leave the base, the time for which is rapidly approaching.

Unfortunately, the project is behind schedule, so he’s doesn’t have time to putter about.

The area where he choose to place the sled is suspected of having caverns underneath it, which Scarpelli (Nia Peoples) wants to take time to explore, though Dr. Gelder isn’t interested.  Sure, properly surveying the area could have saved them quite a bit of trouble, but what specialist worth their salt let’s safety concerns trump completing a project on time.

Which shouldn’t be a surprise considering one of their own crew, Snyder (Miguel Ferrer, who if James Spader was unavailable to play Ultron in the upcoming The Avengers: Age of Ultron, should have been on speed dial) is fraying at the seams and should have been evacuated to the surface weeks ago.

And speaking of Ferrer, he’s easily the most convincing character in the entire movie which is why it’s such a pity that he so explosively loses it toward the end.

Another awesome addition to the movie is someone whom you never see, but who’s presence is felt throughout the entire movie, and that’s the awesome score by Harry Manfredini (who’s theme for War Of The Worlds: The Second Invasion has to be one of the best television themes EVER.

Seriously.  It’s that good.

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The Avengers: Age Of Ultron Trailer – Marvel’s Agents Of S.H.I.E.L.D. Edition

Kevin Feige, you cheeky bastard.  It appears that you pulled a fast one.  When the trailer for The Avengers: Age Of Ultron was leaked prior to it appearing on Marvel’s Agent’s Of S.H.I.E.L.D. I assumed that that was the end of this story.  Sure, Marvel Studios handed things pretty gracefully, but I thought it was time to move on.

How wrong I was.

The trailer that was released during S.H.I.E.L.D. is quite similar to the leaked trailer, but not the same, and as anyone knows, the Devil is in the details.  The fist, and most noticeable difference is that there’s an extended party scene (which the first trailer only touches upon), where Tony Stark (Robert Downey, Jr) and Jim Rhodes (Don Cheadle) attempt to lift Thor’s hammer.Tony and Rhody Attempt to lift Thor's hammer

Natasha Romanoff (Scarlett Johansson) doesn’t bother, because she knows that boys will be boys.

Though things get interesting with Steve Rogers (Chris Evans), otherwise known as Captain America, tries.

Thor's expression

Thor (Chris Hemsworth) appears mildly concerned, especially since he knows that one has to be deemed worthy by the magics that permeate the hammer to lift it, and who’s worthier than Captain America?

From that point on, the trailer mostly follows similar beats as the first one, though there are small differences.

Such as the image below of Black Widow staring at something…

Black Widow staring

Which was followed by this image of the Chituari scepter from 2013’s The Avengers (and what we learn give the Scarlet Witch and Quicksilver their abilities from Captain America: The Winter Soldier.

Ctharia weaponCombined with earlier scenes of Captian America breaking into a castle, I believe that they show his his search for the origins of Winter Soldier, and that he finds the hideout of Baron von Strucker (Thomas Kretschmann).

Though there’s an image that appears in both versions that I am very curious about, which is of an attractively-lit room that’s serving as a ballet studio, though why is it in the trailer?  Did Joss Whedon (who may not have cut it) want to add a scene of beauty to contrast all the larger-than-life heroics that proceeded it?

Ballet Dancers

Maybe, but I doubt it because it’s too obvious.  I suspect that the dancers may have something to do with the Scarlet Witch, if only because it’s not exactly the style of Black Widow or Maria Hill (Cobie Smulders).