Success should be rewarded. If you’re good at what you do, you should be paid for it.
Sometimes, handsomely.
But when such things grow out of proportion, it borders on insanity.
For instance, the head of the Walt Disney Company, Bob Iger, recently announced that there would be layoffs to cut costs, which is an idea I can get behind.
Sometimes companies, like people, can become fat, making them slower and less able to compete (though making films like “John Carter,” which lost around $200 million doesn’t help the old bottom line) though my BS detector goes off when I learned that Iger earned around $31.4 million in compensation last year, and now the company he’s leading is laying off people.
If Disney needs to downsize operations to be more efficient, then I get it. If they’re trying to save money, then why doesn’t Iger start with some of those ducats he’s earning, then go to his employees?
Such huge numbers, like $31 million dollars, are almost meaningless to me. I am aware of them, in a mathematical, abstract sense, though in terms of something real, something I can touch, it’s beyond my comprehension.
And to clarify: I am not saying that rich people can’t have their money, and the toys that accompany it, though I would wish that they cared a little more about the lives their actions touch.
Because, when all is said and done, the “little” guy that is the real engine of the economy, and creating more unemployed people doesn’t benefit anyone.
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Would ‘Tron: Uprising’ Been Renewed If It Had Been Less Expensive?
I have been watching a lot of Netflix since I have been working getting over my cold. I finished watching “Firefly” – as a result I think I better understand the fixation the fans known as Browncoats have with the show; as an added bonus I appreciate Joss Whedon’s “Serentity” even more.
I am also watching – as I type – “Tron: Uprising.” It hasn’t been renewed by Disney despite being one of the most visually innovative television series on television. Its won numerous Annie Awards, and is breathtakingly beautiful at times.
Oddly enough, it has significantly more depth than “Tron: Legacy,” the movie that inspired it. This can be partially attributed to having more time to unfold its storyline, though truth be told “Tron” Legacy ” was more interested in being visually appealing than telling a cohesive and engaging story.
Thinking about the series two thoughts came to mind, one revolving around Paul Rubens (who voiced a treacherous assistant to General Tessler named Pavel) which will be the subject of another column, and another speculating as to why the series was cancelled.
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