More Reasons (As If You Needed Any) Why Marvel Studios Is Awesome

A few days ago I caught a pirated version of the trailer for Marvel Studios’ upcoming The Avengers: Age Of Ultron and noted in a post that it looked particularly good for a pirated trailer.

Since that time Marvel has released a HD version that was watched by over 34.3 million people in the first 24 hours, beating the last record holder, Iron Man 3, which had 20 million views in the same period.

So, in case you were somehow not among those millions, or living in a cave–which doesn’t explain how you happen to be reading this post–here it is.

Marvel Studios originally planned to release it during a showing of Marvel’s Agents of S.H.I.E.L.D., which has been hurting in the ratings lately, so it could have definitely drawn a few more eyes.

Though when they learned that it was released prematurely, Marvel could have done quite a few things, such as pull the clip from anywhere it was live, and then sic their legal department on anyone else.

Such tactics aren’t unheard of, after all.

Instead Marvel sent this tweet, and released an HD version of the pirated trailer.

Marvel Studios TweetPretty awesome and classy, though it also managed to get millions of people not only very excited about the movie but managed to preserve a lot of goodwill.

‘The Avengers: Age Of Ultron’ Trailer

I have no idea how long this one is going to be live.  It’s supposed to be first shown during Marvel’s Agents Of S.H.I.E.L.D. but you know how the Interwebs are.  It’s pretty good visually–in fact, exceptionally so–but could be a bit sharper.

I’ll post the official release as well.

Check it out!

In case that one was pulled, here’s a more reliable link.

Ewan McGregor As Doctor Strange? Not Buying It

Doctor Strange  Sorceror SupremeEvery since Joaquin Phoenix decided to pass of the role of Marvel Studios’ Master of the Mystic Arts, Doctor Strange, all sorts of names are being bandied about, such as Ethan Hawke and Keanu Reeves.

The latest is Ewan McGregor, and I think it’s unlikely (Ethan Hawke would be my choice, and it helps that he’s worked with the director, Scott Derrickson before in Sinister–that being said he also worked with Reeves in the remake of The Day The Earth Stood Still) because McGregor may be up for another Star Wars film, though without knowing the timeline or even if it’s something he’s interested in or was even if it was offered to him, it’s hard to say.

That being said, I hope an American actor plays Strange (which isn’t to imply that it’s in any way unusual that a very American character isn’t played by one, like in the case of  Thor (Chris Hemsworth’s, who’s Australian, though his accent worked really well), Loki (Tom Hiddleston, British, and for similar reasons) and Spider-Man (Andrew Garfield, also British).

 

‘Iron Man 4′ Is A Go!

Iron Man Flying

According to Robert Downey, Jr. Iron Man 4 is happening and truth be told I am a little torn by the decision.  It’s a good thing because Downey, for millions of people (including this writer) embodies Tony Stark.

It’s not such a good thing because Marvel has to know that they’re just delaying the inevitable.  Originally when this question was posed to Kevin Feige, President of Marvel Studios,  he said something to the effect that the plan was to have the Iron Man franchise to be similar to James Bond, in that the actor who plays Bond is important, but less so than the franchise itself.

In other words, the actor who plays Iron Man would change from time to time.

The thing is that Marvel Studios is known for their thriftiness (or miserliness, depending upon how you look at such things) and it goes without saying that they must be paying Downey a butt-load of money, to put on the red and gold suit again (though in Marvel and Feige’s defense, Iron Man 3 made over $1.2 billion on a $200 million budget, so $50 million–what he earned for Iron Man 3–was just a drop in the bucket).

Why studioADI Is Awesome

Bob Woodruff, Jr. and Alec Gillis of studioADI, the practical special effects house behind a lot of your favorite movies, including the Predator and Alien films, as well as the upcoming Kickstarter-funded practical horror film, Harbinger Down) are two men that clearly enjoy their work.

You can see the devotion and craftsmanship that their effects shop brings to every creature they make, even when their creations don’t appear in great movies, such as X-Men Origins: Wolverine and the effects they designed for fan-favorite anti-hero, Deadpool.

This disdain occasionally spills over to the creator of the effects.

In the above clip Gillis and Woodruff are explaining why Deadpool looked as he did.

And Gillis makes a great point, which is that special effects houses, aren’t necessarily in control over how a character looks, when all is said and done.

The thing is, I knew that already and while I also hated how Deadpool ended up, the effects-works itself (which is the only thing that studioADI is actually in control of), was spot-on.

‘The Equalizer’ – Trailer Two

The Equalizer is going to be a monster, despite the R-rating.  Denzel Washington is as reliable as it gets, as far as consistently entertaining actors go.  I also like how the characters that he tends to play don’t overcompensate in terms of their physicality, by which I mean you can see from the trailer that Washington is a tad paunchy, yet he’ll still believably kick you ass.

That it’s being directed by Antoine Fuqua pretty much ensures that it’s an event.

Besides, I can only see Guardians of the Galaxy so many times…

Why Marvel Needs To Take Its Time Jumping On The Female Superhero Movie Bandwagon

I have written on women superheroes in movies in the past, and thought that it was a topic worth revisiting, especially since some have decided that Marvel Studios somehow has a duty to make a feature with a female lead.

Which is nonsense, but don’t get me wrong, inclusiveness is a great thing. All of us need to be able to see ourselves in the various superhero universes out there because they serve to not only inspire us, but as a reminder that reminder that we’re part of something greater than ourselves.

But there’s one problem with that thesis: Hollywood is driven not by altruism, but by money. If superhero films featuring women were successful, I guarantee you that every studio would be making them.

And it’s not rocket science as to why such films aren’t more common, which is because they have, so far, been failures at the box office.

For a prime example why Marvel should take their time, let’s look to 2004, when Warner Bros released Catwoman.  It was a failure, earning $80 million on a $100 million budget. And truth be told that was $80 million more than the movie deserved (Though Halle Berry was so classy that she actually attended the 2005 Golden Raspberry Awards–also known as “The Razzies“–where Catwoman “won” in the Worse Picture category).

And the thing is, I don’t blame Pitof, who directed, or Berry’s performance in the title role (though the ‘tuna’ scene was a bit obvious and silly).

Heck, I don’t even blame Theresa RebeckMichael Ferris or John Brancato, who wrote it.

I blame whichever executives at Warner Bros who green-lit the project because alarm bells should have immediately gone off when it was learned that the main character, Patience Phillips (Berry) was ‘Catwoman’ in name only.  Her origins had very little to do with the comics that inspired her creation.  Now, I understand that executives may have wanted to go in a different direction after Catwoman made an appearance in Tim Burton’s Batman Returns–who portrayed the character as a bit too damaged–but to go so totally in the opposite direction tonally was a bit of an over-correction.

As if the Titanic, in a effort to miss a a small sheet of ice, ran smack-dab into the iceberg.

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