I have no idea how long this one is going to be live. It’s supposed to be first shown during Marvel’s Agents Of S.H.I.E.L.D. but you know how the Interwebs are. It’s pretty good visually–in fact, exceptionally so–but could be a bit sharper.
I’ll post the official release as well.
Check it out!
In case that one was pulled, here’s a more reliable link.
The original 2001: A Space Odyssey trailer
I am sure that you have known a person that was not nearly as clever as they thought they were. Such people tend to be a tad insufferable because they’re so convinced of the righteousness of whatever flag they happen to be flying that they don’t appear even cognizant that there is another side of a particular issue.
Well, 2001: A Space Odyssey is the movie version of that person. It’s clearly a brilliant movie, with great model work by Brian Johnson (Alien, Space: 1999, etc) and showcases Stanley Kubrick at the height of his powers. That being said, it’s not nearly as brilliant as it thinks it is, on top of being so demanding–and giving so little in return–that as a result it’s one of the most boring movies that I recall seeing.
A new trailer was commissioned by the BFI (British Film Institute) and Warner Bros. in celebration of a digitally restored release of Kubrick’s seminal sci-fi movie. It’s a good trailer, but does little to add a pulse to what is a particularly cold movie.
The re-release 2001: A Space Odyssey trailer
Chris Rock’s Top Five was huge at the Toronto Film Festival, sparking a bidding war among studios like Lionsgate, CBS Films and Relativity, with Paramount coming out as the eventual victor. Having seen the trailer, it looks interesting, but I am not quite what the supposedly frantic bidding was about.
I don’t know about Brad Bird’s Tomorrowland. Maybe it’s because Damon Lindelof wrote it, and I still haven’t gotten over the silly “smoke monster” from Lost or the way he butchered Jon Spaihts’ original script for Prometheus (I know that it was his job was to remove the Alien-related references, and then stitch things back together again, but still).
If I stand removed from my own Lindelof-related issues for a moment, it looks okay. Nothing earth shattering, but interesting because you might think that with Bird directing (The Incredibles) that it would somehow counterbalance other, aforementioned issues.
Nope. Still leery.
I have never been a huge player of video games, though recently I have been playing Penumbra: Requiem, and realized that enjoy it. I don’t own any video game systems, though when I see trailers for games like The Evil Within it makes me wonder if perhaps life would be just a little bit better with a Playstation.
And I have no idea if the game is as interesting as the animatics, but if it is, the players are going to have a bloody good time (pun intended).
And isn’t that what gaming’s all about? Good company, good food and mindblowing acts of digitized violence and gore?
What it is about werewolf movies? For every The Howling, An American Werewolf In London or Dog Soldiers, you get twelve Skin Walkers and lots of crummy Howling sequels.
I don’t know know in which column David Hayter’s Wolves falls, but if the trailer is any indicator, lycantrophy is being used as a thinly-veiled allegory for a young man’s transition into adulthood.
And there’s nothing wrong with that, though it’s not exactly an uncommon theme as far as horror movies go. That being said, plot and storyline are important, but a great looking werewolf transformation goes a long way toward, if not curing all ills at least making you forget about them for a little while.
After the mild letdown that was Annebelle, I am on the lookout for a really effective (read: scary) horror movie. I had my hopes on The Houses October Built–awesome title, by the way–till I learned that it’s made in the style of a found-footage movie, which implies that, at the very least, it’s not going to be too good.
We’ll see, though why didn’t they just make it into a regular movie? Probably so that they can do it on the cheap, I imagine.