According to the Hollywood Reporter and technology firm Zefr (they track trailer viewing numbers) the trailer for The Avengers: Age Of Ultron had over 50 million views in its first week. Prior to Age Of Ultron the title was held by Fifty Shades Of Grey (and speaking of Fifty Shades Of Grey, is anyone else getting a Showgirls-like vibe from what we know–which is admittedly little–so far?).
It’s an interesting number but what does it mean beyond the obvious? I mean, it’s certainly not individual viewers, because if I haven’t watched it at least ten times since its premiere, I haven’t seen it at all.
Now, if you multiply by all the comic book geeks out there, then it seems to me that you have numbers that can rather easily be manipulated by any group with the goal of promoting a movie that they like.
Which isn’t to say that I watched it as many times as I did with any agenda in mind–I thought it was awesome and only wished that the movie were being released sooner than May of next year–but if bunch of like-minded people were to watch a particular video often enough, they could skew those numbers pretty much any way they wanted.
And it doesn’t take any sort of conspiracy, just a bunch of people who like the same things.
By the way, is Benedict Cumberbatch’s last name pronounced ‘Cum-ber-batch’ or ‘Cum-ber-boch?’ I have been leery of such things every since what I like to call the “Bruce Cockburn Incident,” which by the way, isn’t pronounced at all how it’s spelled.
Kind of like ‘St. John,’ which if James Bond movies have taught me anything, is in some instances is pronounced Sin-Jinn (unless you’re talking about the actual saint).
Anyway, according to sources like Variety he’s going to play Doctor Strange, though what bothers me about Cumberbach in the role is that he has always appeared too tall, though that may have more to do with him in many instances playing against relatively short actors. That being said, his voice is perfect, though I am still not too crazy about his overall look.
Then again, maybe seeing him in costume will change things.
Though he is a sought-after actor, and I think that Marvel Studios may have wanted him also because it keeps him out of Warner Bros/DC’s hands for the foreseeable future.
Then again, Marvel Studios elevated the game of Tom Hiddleston, so maybe they’re on to something.
Gerry Anderson, the prolific British producer of shows like Space Precinct, UFO, Space: 1999, Terrahawks and Thunderbirds, died in 2012 but despite that fact he’s in a sense back with a new series, Firestorm, with the initial episodes being funded via Kickstarter.
As I said, Anderson embarked upon the greatest adventure two years ago, though before Alzheimer’s led to his eventual decline he sold his Firestorm concept (which he developed with John Needham, who also worked with him on Space Precinct and The New Adventures of Captain Scarlet) to a Japanese company, which created a CGI-enhanced cartoon based on the property.
Now Gerry Anderson’s son, Jamie, is running Anderson Entertainment and it appears that he’s acquired the rights to Firestorm, and he’s going back to the future, by which I mean he’s going to make the new series with puppets, models, practical special effects and cool ships (a hallmark of Anderson’s features).
So if you can send a little love his way–by which I mean a donation to the production via Kickstarter–do so because I get the feeling that this is going to be awesome.
According to Robert Downey, Jr. Iron Man 4 is happening and truth be told I am a little torn by the decision. It’s a good thing because Downey, for millions of people (including this writer) embodies Tony Stark.
In other words, the actor who plays Iron Man would change from time to time.
The thing is that Marvel Studios is known for their thriftiness (or miserliness, depending upon how you look at such things) and it goes without saying that they must be paying Downey a butt-load of money, to put on the red and gold suit again (though in Marvel and Feige’s defense, Iron Man 3 made over $1.2 billion on a $200 million budget, so $50 million–what he earned for Iron Man 3–was just a drop in the bucket).
I don’t traditionally like to link to full movies but Prelude To Axanar is something special, and this is coming from someone who isn’t a huge fan of the Star Trek universe (as far as the televised series’ are concerned, I prefer Star Trek: Deep Space Nine most because Capt. Benjamin Sisko (Avery Brooks) wasn’t above engaging in realpolitik when the high-mindedness of The Federation didn’t do the job, which enabled him to essentially trick the Romulans into the Dominion War on The Federation’s side).
Prelude To Axanar started life as a Kickstarter and has already reached its funding goals, though they are still accepting contributions. One purpose of the project is, I assume, as a showcase for what the producers can do, and I have to admit that it’s impressive.
What I like is that is that it appears to be less about the personalities that actually fought in the conflict, than the conflict itself. I like character development as much as the next person, but the producers decided–rightly in my view–it’s that such an important conflict in the Star Tek Universe that it would take precedence.
Besides, it stars Tony Todd,Gary Graham and and Kate Vernon, who despite having seen recently playing Colonel Tigh’s wife on the Battlestar Galactica reboot, I didn’t recognize.
I know that I have written on the reboot of the The Town That Dreaded Sundown before, but since the original has just turned up on Netflix, I though I’d throw something together. If you’re into horror movies, it’s worth checking out because it’s a pretty good movie, though another reason is that if you intend to catch the upcoming reboot, it would be good to see the original first, for comparison’s sake.
What’s always creeped me out about it is that you see the killer quite a bit–though never his face. It’s an acknowledgement that he moved around with a degree of impunity that only a person who was local, and by extension known to the community, could.
And as far as I am aware he was never caught, though for whatever reason the killings stopped.
The movie also has a narrator, which reminds me of the approach taken during certain parts of Tobe Hooper’s The Texas Chainsaw Massacre. It’s not a particularly gory movie, though the filmmakers do a good job of crafting the atmosphere of a small American town held tightly in the grip of fear.
Another thing that I enjoy about the movie is while a lot that you see on the screen is based on speculation, there’s no attempt to glorify or make him any scarier than he already is.
Every since the television series based on Irwin Allen‘s Voyage to the Bottom of the Sea I’ve had a love affair with submarines in movies, though the more realistic they appear, the less I am interested.
For instance, the cramped and claustrophobic submarines–which is more in line with actual submersibles–from movies like The Hunt for Red October or Crimson Tide, I don’t care too much for, but give me something like the SeaQuest from SeaQuest DSV (despite being being CGI as opposed to practical) and I’m all over it.
Which is why I am posting this clip from StudioADI of a submarine they built as a test model for James Cameron for a very real dive he did to the bottom of the Mariana Trench, knowledge that I feel comfortable in saying would in some way contributed (and who knows, may have helped to inspire) to their upcoming Harbinger Down.
And in case you’ve forgotten about Harbinger Down, which sounds like an awesome mix of a nautical thriller, H.P. Lovecraft, and John Carpenter’s The Thing, here’s the official trailer.