If you’re expecting me to say something to the effect that Pitof’s 2004 super hero movie Catwoman is some sort of lost classic then you’re definitely barking up the wrong tree…because it’s not.
And while the buck usually stops with the director, I don’t think that that’s entirely fair in this case, mainly because the writing is so bad that not even Orson Welles could have saved it. Theresa Rebeck, Michael Brancato and Michael Ferris (the latter two are quite prolific writers for movies and television, though it’s telling that they also wrote Surrogates, Terminator 3: Rise Of The Machines and Terminator: Salvation. And as not-so-good as those three movies are, they also wrote The Game, which is awesome).
That being said, the pseudo-mystical angle the writers took is sort of clever in that it doesn’t necessarily invalidate other versions of the character, though it’s a perfect illustration of what happens when you don’t have knowledgable people overseeing development of a property.
That’s exactly why, no matter how much flak Kevin Feige gets from various quarters, no matter what you think about Marvel Studios or superheroes in general, having a unified voice as far as your characters go is pretty useful.