The latest trailer for Stephen King’s IT dropped a few hours ago, and the first thing I wondered when I saw if was if IT was also a part of the Stranger Things universe.
Both feature Finn Wolfhard, both revolve around a group of young people on the cusp of the adult world–and the secrets that it holds–facing bullies and their demons (both real and imagined).
And perhaps most importantly, both revolve around either the supernatural or things than can be easily interpreted as such (the Upsidedown from Stranger Things is approached in a more overtly scientific fashion than the terrors of IT but that’s less a question of the former not being supernatural than the approach to it being based in science).
Though the more likely explanation for the similarities is that Stranger Things is very much based on the work of Stephen King and movies of Steven Spielberg and John Carpenter (particularly Carpenter, as far as the music and whole esthetic goes), so that it resembles a Stephen King movie is hardly a coincidence.
I understand that Marvel Television in its ‘street-level’ heroes tends to seek a more grounded, realistic esthetic than those typically employed by Marvel Studios.
That probably has a lot to do with why of all the Defenders only one, Daredevil, has a costume (which is more in the vein of tactical armor than a costume, per se).
Jessica Jones and Luke Cage wear civilian clothes, as does Iron Fist (at least in the first season of his series).
And for awhile I thought that the latter in his civvies that might be a good decision, till I saw this image from the series.
That’s Johnny Yang as an ‘Iron Fist’–which is less an individual than an honorific, though only one seems to exist in any given period of time–and he looks pretty awesome.
The way they muted the colors and gave the costume a very real-world feel works really well, and I would have been glad to see it in more detail. It was technically in the series, though the footage of it was so (deliberately) blurry you couldn’t make heads or tails of it.
Maybe they kept it under wraps because Danny Rand (Finn Jones) in–hopefully The Defenders–tries to capture some of his lost history, and dons the costume as a result.
None of the three series Marvel has produced for Netflix thus far (two seasons of Daredevil, one of Jessica Jones and Luke Cage) have been without criticism, but typically it’s muted by the heaps of praise they receive.
Regrettably that had not been the case with Marvel’s Iron Fist, which out of the box is getting some scathingly negative reviews, something that the prior three series didn’t have to deal with.
Now keep in mind that’s just two reviews–there’s a thrid, but Twitter keeps crashing on me when I’m linking to it–but while I am sure that there will be many more positive reviews, it’s the tone of the negative ones that rankle.
Netflix is hitting it out of the park as far as their work producing superhero-based action series is concerned (their pact wirh Marvel Television will soon introduce Iron Fist, The Punisher and The Defenders–though as far as Frank Castle goes, perhaps ‘reintroduce’ would be a better choice of words since he played a prominent role in Season two of Daredevil) though their horror offerings?
Not too impressive. We got two seasons of Hemlock Grove, which started out promisingly, then jumped the shark relatively quickly.
Their latest entry has it’s tongue firmly in cheek as Sheila (Drew Barrymore) and Joel (Timothy Olyphant) play a couple that lets nothing–including Sheila being a zombie–get in the way of their love because the family that slays together, stays together.
The trailer is hilarious, though what’s particularly novel is that–as opposed to being something to be shunned–their children seem to have adapted amazingly well to their mom’s altered state (it helps that she looks pretty healthy, minus the whole ‘no heartbeat’ thing.
The title is also particularly clever in that it not only refers to the often goofy diet fads that tend to emanate from the West Coast, but Sheila’s somewhat unique dietary requirements.
While Marvel Studios is doing some amazing things in the movie space, we sometimes forget that Marvel Television is making waves of their own on the small screen.
And while they have been doing solid work with Agents of S.H.I.E.L.D. and Agent Carter arguably their strongest work so far has been the series that have have done with Netflix, Daredevil, JessicaJones and Luke Cage.
Along with a distinctive visual palate, each series is aurally unique was well, each evocative of different places and/or eras.
If there were a overarching theme to Time Enough At Last, the eighth episode of the first season of The Twilight Zone, it would have to be that no matter how bad things may at first seem, they can get much, much worse.
After all, you have to keep in mind that about midway though the episode a nuclear strike decimates an unnamed American city, seemingly leaving unharmed a single survivor, Henry Bemis (Burgess Meredith), and that’s not even the worse thing that happens.
And if being the lone survivor of a nuclear war weren’t bad enough, Bemis’ fate is particularly tragic–in that typically ironic fashion that The Twilight Zone is know for–because what happens to him is undeserved, especially considering that he’s a pretty good-natured and friendly person, whose only peccadillo is that he likes reading more than dealing with people.
Though part of the message of the series was often the very random nature of fate, in that sometimes very bad things happened to people not because they deserved them, or were somehow bad themselves, more so that things sometime happen, whether or not we feel they’re deserved.
It’s the contrast between Bemis’ final fate and what he deserves that makes the episode particularly shocking. though a lot of the credit goes to Burgess Meredith’s portrays of Henry Bemis a particularly sympathetic one.