Spider-Man: Homecoming – Trailer 3

Cutting an effective trailer is a strange mix of art and science and too much of either can ruin it.

And they’re more important than you think.

Part of what saved Suicide Squad was the  trailer, which (unfortunatel) made promises the movie itself didn’t quite live up to, was so well-received by movie goers.

By the same token, they can give away plot points that might better be left uNSAIDs (such as when Doomsday was revealed in the Batman V Superman: Dawn Of Justice trailer).

Though just so no one thinks I am picking on the DCEU, there was a scene from the first Avengers when the Hulk saves Iron Man, who’s falling after having ‘delivered’ a nuclear weapon to the Chtauri.

It wasn’t a spoiler but it did reveal a scene that would have been better served seen first in the context of the movie.

And speaking of ‘scenes that would have been better served seen first in the context of the movie’ the trailers for Marvel Studios/Sony Pictures Spider-Man: Homecoming haven’t crossed the line into spoiler territory, but they have revealed moments that would perhaps be better served by not beight first seen in the trailer.

Such as learning that Spidey’s uniform is filled to the gills with Stark-tech.


It doesn’t break the movie to learn this in advance–besides, hints were laid out in Captain  America: Civil War that this is not your father’s Spider-Man costume, so it wasn’t a huge reach.

THough it would have still been a pleasant surprise NOT to know about it ahead of time.

Conspiracy Theory – Justice League Edition

I don’t consider myself to be a cynical person, nor am I prone to conspiratorial thinking–though the ‘Single-bullet theory’ is so nonsensical you’d have to be an idiot to take it seriously–so, while I avoid looking at the world through rose-colored lenses, things aren’t all gloom and doom either.

So, when I heard that Zach Synder’s daughter, Autumn, had committed suicide in May, and because of the effect that had on him and his family, he decided to step down from completing directing DC Films’ upcoming Justice League feature.

And that makes sense because his daughter was only twenty when she died; making her death even more devastating because she never really lived. By way of further illustration, Roger Moore also died recently, though he was 89 years old.  We all have to go sometime and 89 years is a really good run, so it’s not like he was somehow cheated at life.

Joss Whedon–who will be directing a movie based on Batgirl, his first for DC  Films–stepped in to complete the movie.

Now he’s where the conspiracy comes in.  Originally Snyder was the guiding force behind the DCEU (DC Extended Universe), sculpting the entire look and feel of all the movies and–I assume–the primary person dealing with issues of continuity (crucial to movies that are interconnected).

But a strange thing happened: namely movies like Man Of Steel and Batman V Superman: Dawn Of Justice revealed that Snyder either barely understood either character–which is ridiculous, but at least understandable–or he understood both characters, only didn’t care enough to respect them and people expectations of them, which is in a way much, much worse.

So he began to be demoted in the sense that other people began to take a more aggressive role in overseeing his movies, such as Geoff Johns and Ben Affleck.

So, Zach Snyder needed a way to leave the DCEU gracefully and while I am not saying that Warner Bros had anything to do with the death of his daughter, other parties–including Znyder himself–may be using it to do what would be next to impossible otherwise.

The Gifted – Trailer

The Gifted is the second series begat from the deal between Marvel Entertainment and Fox and it’s curiously conventional-looking, especially compared to Legion (the first series launched on sister channel, FX).

That aforementioned conventionality may have a lot to do with it being directed by Bryan Singer, who helmed many of the X-Men movies, and contributed to their inconsistent tone (in terms of how they appear in movies versus their counterparts in the comics).

Guardians Of The Galaxy, Vol. 2

I caught James Gunn’s Guardians Of The Galaxy, Vol. 2 last Saturday and what I found so impressive overall was the way Gunn managed so many stories and plot threats in a way that was not only cohesive, but made sense.

Because–and trust me on this–there are so many ways Guardians  could have easily collapsed under it’s own weight.

But it never does.

What’s almost equally impressive is the way everyone gets their own arc, without the movie feeling bloated or over-stuffed.

And Guardians Of The Galaxy, Vol. 2 is so gorgeous, as if it’s not only not afraid to admit that the worlds depicted first appeared in comic books, but is proud of it.

And there’s not a cynical bone in the movie’s body, which is why when you see Baby Groot and Rocket you just go with it.

Because you know–on a level conscious or not–that Gunn believes in these characters as much, if not more, than you do.

The Defenders – Elektra Teaser Trailer

2017, despite the reality of a Trump presidency, and all the insanity such an idea beings can be considered a golden age –especially if you happen to be a fan of superheroes because there are probably more viewing choices to choose from than there has ever been.

The while the CW isn’t known as ‘The DC Network,’ it might as well be considering how many superhero-based shows are live there (There are also comic book-based television on Fox and NBC as well).

And while DC entertainment may have staked a claim on the network television stage, Marvel Television has made it’s strongest showing on Netflix, where series based on Daredevil, Jessica Jones, Luke Cage and Iron Fist have already aired, with more on the way (The Punisher, The Defenders and additional seasons of the already mentioned series’)

This is on top of the work Marvel Televisoon is doing for Freeform–formerly ABC Family) based on Cloak & Dagger and The New Warriors.

Like I said, there’s likely no better time to be a comics fan.

Alien: Covenant | Prologue: The Crossing – Trailer

I find this latest trailer for Ridley Scott’s upcoming Alien: Covenant particularly fascinating, though not necessarily for the reasons that I originally thought I would.

I found the idea that Shaw (Noomi Rapace) had initially reassembled David (Michael Fassbinder) somewhat troubling, especially when you take into account the chaos that he had a hand in initiating–never mind the de-facto murder of Halloway (Logan Marshall-Green) though it’s not apparent that Shaw realizes that David was behind that.

Though it actually makes sense that she would repair David because the likelihood is great that she could not pilot the ship alone, and besides the idea of traveling to an Alien–literally and figuratively–with a talking, disembodied head would probably NOT be a great idea.

Besides, Shaw has journeyed light-years across space on the strength of her faith; on the chance that she might meet the people who literally engineered the Human species.

Compared to the wonders she’d seen, and the terrors she’s survived, repairing David is almost a no-brainer.

Though what’s most interesting about the trailer is toward the end, when the ship arrives in the Engineer homeworld and David says: ‘Look on my works, you Mighty, and despair!’

That’s a line from Perry Bysshe Shelly’s Ozymandias and while it’s uncertain how David means it, seeing that the poem revolves around a found remnant of a fallen empire, it doesn’t look good for the Engineers.

Justice League International Trailer 1

I honestly don’t much like what I have so far seen from Zach Snyder’s upcoming Justice League and the recently released International Trailer hasn’t much changed my mind.

Snyder’s visual esthetic is on full display, which is to say that most images have a murky, ugly aspect to them, though if this were the movie’s only problem I might be okay with it.

My greatest problem with Justice League–and the entire DCEU (DC Extended Universe) is its relative unfaithfulness to the source material.

And since Zach Snyder was the creative force behind the emerging cinematic universe, he needs to be gone so that Geoff Johns–or whomever is leading DC Entertainment this week–can put their visual, as well as esthetic,  stamp on the growing cinematic universe.