Alien: Covenant | Prologue: The Crossing – Trailer

I find this latest trailer for Ridley Scott’s upcoming Alien: Covenant particularly fascinating, though not necessarily for the reasons that I originally thought I would.

I found the idea that Shaw (Naomi Rapace) had initially reassembled David (Michael Fassbinder) somewhat troubling, especially when you take into account the chaos that he had a hand in initiating–never mind the de-facto murder of Halloway (Logan Marshall-Green) though it’s not apparent that Shaw realizes that David was behind that.

Though it actually makes sense that she would repair David because the likelihood is great that she could not pilot the ship alone, and besides the idea of traveling to an Alien–literally and figuratively–with a talking, disembodied head would probably NOT be a great idea.

Besides, Shaw has journeyed light-years across space on the strength of her faith; on the chance that she might meet the people who literally engineered the Human species.

Compared to the wonders she’d seen, and the terrors she’s survived, repairing David is almost a no-brainer.

Though what’s most interesting about the trailer is toward the end, when the ship arrives in the Engineer homeworld and David says: ‘Look on my works, you Mighty, and despair!’

That’s a line from Perry Bysshe Shelly’s Ozymandias and while it’s uncertain how David means it, seeing that the poem revolves around a found remnant of a fallen empire, it doesn’t look good for the Engineers.

Justice League International Trailer 1

I honestly don’t much like what I have so far seen from Zach Snyder’s upcoming Justice League and the recently released International Trailer hasn’t much changed my mind.

Snyder’s visual esthetic is on full display, which is to say that most images have a murky, ugly aspect to them, though if this were the movie’s only problem I might be okay with it.

My greatest problem with Justice League–and the entire DCEU (DC Extended Universe) is its relative unfaithfulness to the source material.

And since Zach Snyder was the creative force behind the emerging cinematic universe, he needs to be gone so that Geoff Johns–or whomever is leading DC Entertainment this week–can put their visual, as well as esthetic,  stamp on the growing cinematic universe.

Close The X-Files

Everything that lives, eventually dies.

And that’s okay because it’s the fear of death, of Thanatos, that drives all animals, of which we are, to procreate (so that our genes–and what are we if not the genetic material that literally makes us up–live on in our children).

Immortality of a sort.

What does the above idea have to do with The X-Files, a series that aired from 1993 to 2002 on Fox, and spawned two movies, The X-Files: Fight the Future in 1998 and The X-Files: I Want to Believe in 2008?

Well, there’s talk of another ‘event series’ of The X-Files, following the last six-episode series that aired in 2016.

And I wish they’d just stop.  The original series started promisingly, with two FBI agents working to uncover secrets that our government denied ever existed, with an emphasis on UFO mythology, combined with stand-alone stories that existed outside the aforementioned overarching mythos.

And that was good, till it became so entangled in that ungainly mythology that it literally collapsed under it (and I’m not being hyperbolic.  The series literally became incomprehensible and nonsensical, sometime with job a single episode).

If it had just gone away longer it would acted as a breather, a palate cleanser, to remove the bitter, ash-like taste of a show that just.  Refuses.  To.  Die.

And maybe David Ducovny and Jillian Anderson would be unable (or unwilling) to return.

If so then just recast, creating a world that would be both familiar and unfamiliar at the same time to those who remembered the original series with fondness.

As it stands, these X-Files event series remind me less of the original show than The Walkind Dead, which is the true face of immortality.

Cloak & Dagger – Trailer

The trailer for Marvel Television’s Cloak & Dagger dropped today, and I really liked it.

Sure, it went a bit heavy on the whole YA (Young Adult) angle, though when you take into account that it’s airing on Freeform–a name that sounds more like a type of women’s undergarment than a television network–which was formerly known as ABC Family.

What the trailer does well is set up a contrast between Tandy Bowen/Dagger (Olivia Holt), a well-to-do white girl and Tyrone Johnson/Cloak (Aubrey Joseph) a poor, struggling black teenager.

Gunn’s World

It’s James Gunn’s world, we just happen to live in it.

Reason being, reviews of Guardians Of The Galaxy, Vol. 2 have begun to filter in, and they’re pretty good.

Though what’s interesting is that they’re not ALL that way, yet there’s not been a peep from either Marvel or Disney as a result.

This to me says that they have faith in the movie, which bodes well.

Another fortuitous sign is that James Gunn is returning to write and direct Guardians Of The Galaxy, Vol. 3 which is sign that not only does Marvel Studios want him to return, but perhaps more importantly HE wants to return.

Kevin Feige also mentioned in a interview that Gunn could perhaps play a greater role in the Marvel Cinematic Universe, shepherding the ‘Cosmic’ side of things.

So, apparently it’s not only Gunn’s world, it’s Gunn’s universe as well!

Star Wars: The Last Jedi – Teaser Trailer

Screenshot 2017-04-14 12.35.54.pngRian Johnson’s Star Wars: The Last Jedi was released a few hours ago, and looks… like a Star Wars movie.

Which is stating the obvious, though it also reveals a problem.  The last Star Wars movie, Rogue One, was what you get when you take Star Wars and remove the wonder, heart and engaging characters that made that made the series so well-loved by so many (even George Lucas’ much maligned–and deservedly so–prequel trilogy).

And sure, Rogue One made a gazillion dollars but it could easily be a case of diminishing returns, like in the case of Sony’s Spider-Man franchise.

Though to be fair it appears that The Last Jedi looks like it’s at least attempting to bring some of the aforementioned wonder and mystery central to prior entries, and that’s a good thing.

Will it work?  I have no idea, but it’s worth trying.

 

The Hitman’s Bodyguard – Trailer

You’d think an action comedy/drama featuring Sam Jackson and Ryan Reynolds would be a slam dunk, then you’ll catch the trailer for Patrick HughesThe Hitman’s Bodyguard and come to realize that maybe that’s not always so.

I was hoping that at any moment it word turn into a more erudite version of Waltet Hill’s 48 Hrs.

It doesn’t, though that could be because the trailer isn’t very effective.  It consists of Reynolds and Jackson playing characters we’ve seen them do before, though typically better.