Jumanji: Welcome to the Jungle – Trailer

I see what they’re trying to do with Jake Kasdan’s Jumanji: Welcome to the Jungle, but for the life of me I’m not entirely sure why (other than a studio banking on nostalgia and an establised iP, that is).   I haven’t seen Joe Johnston’s 1995 Jumanji, which I assume this movie is a reboot of, in awhile but this feels so…excessive.

And perhaps that approach is warranted, since the movie is revolving around a video game system, as opposed to the board games of the prior movies.

Though Jumanji–and it’s sequel of sorts, Zathura–felt like relatively small affairs when all is said and done, while the reboot feels massive and lacking the intimacy–and perhaps the heart–of those earlier films.

And while I know that Sony has a deal in place to share Spider-Man with Marvel Studios that deal likely does not extend to this movie.

Here’s a closeup of the above poster…


And here’s a closeup from one of the stingers (end credit scenes) at the end of 2016’s Captain America: Civil War.

Coincidence!?  Probably.

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The Shape of Water – Red Band Trailer

Just in case anyone out there thinks Screenphiles has become a member of the Guillermo Del Toro Fan Club (not that there’s such a thing as far as I know), let me assure you in no way is that the case.

Though speaking of Del Toro, did you know a Red Band trailer from The Shape of Water recently dropped?

This is interesting for numerous reasons though the first that comes to mind is that–based on the trailers released thus far–is if there is even anything at all ‘Red band’ (which typically designates violence, sexual content or lots of really bad words–and I’m not kidding about that last one)  about the movie.

Having watched the so-called Red band trailer the worse I saw were two letters of a pretty common expletive (there was an earlier scene that was a bit questionable, though I need to watch it again), though what we have seen this far has been pretty tame and by no means warrants a ‘Red band’ designation.

Hellboy Returns (Sort of…)

This is an image of Ron Perlman as Hellboy from Guillermo Del Toro’s 2008 movie, Hellboy II: The Golden Army.

If anyone could be said to be destined to play a character it’s Perlman, who’s Hellboy looked like he was pulled from the pages of Mike Mignola’s comic.

Flash forward to 2017 when the third film (Del Toro always intended to make a trilogy featuring Hellboy) was for a time considered, then abandoned.

For awhile it appeared that that was the end of Hellboy movies for the foreseeable future, till we learned that there would indeed be another, though without the participation of either Del Toro or Perlman.

This time around Hellboy will be directed by Neil Marshall (Dog Soldiers, The Descent, Doomsday) and played by David Harbour (Stranger Things).

And I admit that it bothered me.  Guillermo Del Toro is for my money one of the most visually interesting directors working today and to have someone else do what would have been the final chapter in his penultimate Hellboy story somehow felt…wrong.

And to be sure, the way Del Toro either abandoned projects or had them fall apart for one reason or another didn’t exactly assuage my unease.

I mention all the above because today an image was released of David Harbour as Hellboy and it looks…pretty damn good!

He’s certainly more vascular than Perlman’s version of the character.  And for me he visually gives off a very Conan-vibe, circa 2011 and Jason Momoa.

I also like the moodier way he appears to be photographed.  With Guillermo Del Toro I felt that he made sure that you were aware that you were watching a comic writ large, which was his intention.

Neil Marshall may be taking an entirely different route in that the producers are working with a hard-R, as opposed to a PG-13 rating–thanks Deadpool though Blade should get the real credit–so a more visceral, physical feel is likely what the new producers are looking to achieve.

‘Flatliners’ Likely to Die at the Box Office

The reboot of Joel Schumacher’s 1990 thriller Flatliners (directed by Niels Arden Oplev) premieres later this month, and is likely to have an uneventful–and short–run in theaters.

Reason being, IT has shown remarkable strength for an R-rated horror movie (and so far is making all the monies) but when you figure in Darren Aronofsky’s mother! (starring Jennifer Lawrence and Javier Bardem) being released two weeks later, it will take more than a shot of adrenaline to save the thriller.

And looking at the second trailer, you’ll likely get an idea why.

It’s not only hard to tell what’s going on and why it’s happening though worse of all there doesn’t seem a particularly–based on the trailer–compelling reason to see it.

Is Apple 00Crazy!?

I just read in The Hollywood Reporter that Apple is reportedly vying for the rights to distribute James Bond (along with Amazon, Sony and Warner Bros) movies, which I am trying to get my head around.

Now keep in mind such a move would likely give Apple exclusive access to Bond’s entire back catalog (as well as future releases) though doesn’t Apple–via iTunes–already have this (on an unexclusive basis)?

It’s worthy repeating that Apple isn’t buying the right to produce Bond movies (that would be a serious coup) but the right to distribute them, though seeing that movie theaters will continue to be with us (though perhaps the window from theaters to digital would shorten) there would have to be a considerable effort to expand to other media; a risky effort because not only would you have to be not only concerned about the failure of a particular venture, but of diluting or damaging the franchise as well).

After all, do you remember a cartoon called James Bond Jr (Nor does anyone else; that’s not a bad thing if you’re able to digest the uber-cheesy theme song)?

I suspect part of what makes James Bond such an institution is it’s exclusivity, which seemingly would directly conflict with Apple’s (and Amazon’s long-term plans).

Besides, if Apple Apple really wanted content, they could relatively easily buy a film studio.

The Water Seems Fine

I have to admit that when I learned a bit more about Guillermo Del Toro’s The Shape of Water I was somewhat underwhelmed (partially because the color palette of the trailer seemed too evocative of earlier Del Toro films and partially because it also seemed like a stealth Hellboy prequel, which sucks because we never ended up with a third movie in the series; though that’s no longer the case, it will be an entirely different animal than the Del Toro movies).

So reviews have begun to filter in, and they so far seem rather effusive with their praise (though keep in mind that there have been relatively few reviews thus far; no more than eight to ten.  So expect The Shape of Water‘s perfect score to fall when more are posted) with lots of comparisons to Pan’s Labyrinth–though for my money The Devil’s Backbone is a more interesting movie.

Blade of the Immortal – Red Band Trailer

Despite being a fan of horror cinema, I have only seen two features by Takashi Miike (Ichi the Killer and Imprint, an episode of Masters Of Horror) which is only interesting because the man is remarkably prolific.

And while I have no intention of commiting seppuku (which I am reasonably sure a few people will do in the movie) I will have to catch up on my Miike.