If you have ever seen Gerry Anderson’s Terrahawks you’re familiar with Zelda of Gak, an android who’s numerous attempts to invade Earth were thwarted by Dr. Tiger Ninestein and his team, known as the Terrahawks.
Speaking of Zelda, she recently released a video from her base on Mars denying any involvement with or connection to the Trump campaign. And while such meddling in human affairs isn’t beyond her, she also tends to be be pretty open about her attempts to undermine humanity, so I’m guessing that she might be innocent (this time).
Besides, while Zelda may hate humanity with every fibre of her being, she’s never been known for her racism, lying on the verge of being a pathological condition, or overall smarminess.
Twentieth Century Fox’s Logan is indicative of their problems managing their X-Men franchise.
Supposedly it’s going to be R-rated, not because Wolverine (Hugh Jackman) is a mutant who’s primarily features are a healing factor, Adamantium-coated claws and a bestial nature to match, but because Deadpool had an R- rating, and it gave Fox almost 800,00 reasons to do the same.
Money see, money do.
So it’s not as if the executives actually understand the character, because if they did they would have had him be PG-13 in the X-Men movies, and R in the context of his own features.
Which isn’t for a moment to imply that the character can’t work as PG-13, only that he’s better suited for a harder rating.
I’ve seen Nacho Vigalondo‘s Timecrimes and Open Windows, both very idiosyncratic movies, so let’s just say I find very little surprise when his latest–Colossal–features a kaiju that’s seemingly the personification of a stressed woman’s ego not all that surprising.
Though what concerns me is that hopefully the movie winds up being more than a clever conceit.
Currently King_Arthur’s Modular Eagle Transporter project over at LEGO Ideas has 2373 supporters–which is awesome and shows not only support for the great work he has done but much love for one of the most iconic spacecraft in science fiction.
Above is a photo of the Eagle Transporter from Space: 1999
And here’re King_Arthur’s LEGO-used version
It’s a pretty remarkable likeness, which is particularly significant when you take into account the Eagle is in places pretty curvy, which is not something LEGOS are known for.
The next benchmark King_Arthur’s project has to reach is 5000 supporters and with your help it might do just that (when it reaches 10,000 supporters LEGO will create a kit based on his work, which will be made available in stores)!
If you’re a fan of Anderson’s show, or just like LEGOs, this project is a way to have your cake and eat it too!
Netflix is hitting it out of the park as far as their work producing superhero-based action series is concerned (their pact wirh Marvel Television will soon introduce Iron Fist, The Punisher and The Defenders–though as far as Frank Castle goes, perhaps ‘reintroduce’ would be a better choice of words since he played a prominent role in Season two of Daredevil) though their horror offerings?
Not too impressive. We got two seasons of Hemlock Grove, which started out promisingly, then jumped the shark relatively quickly.
Their latest entry has it’s tongue firmly in cheek as Sheila (Drew Barrymore) and Joel (Timothy Olyphant) play a couple that lets nothing–including Sheila being a zombie–get in the way of their love because the family that slays together, stays together.
The trailer is hilarious, though what’s particularly novel is that–as opposed to being something to be shunned–their children seem to have adapted amazingly well to their mom’s altered state (it helps that she looks pretty healthy, minus the whole ‘no heartbeat’ thing.
The title is also particularly clever in that it not only refers to the often goofy diet fads that tend to emanate from the West Coast, but Sheila’s somewhat unique dietary requirements.
These days as a mover goer I know full well that practical effects combined with CGI can create virtually any type of effect imaginable.
Though what I find infinitely more interesting is when a movie’s special effects are so seamless that I don’t know that what I happen to be looking at is a special effect, which brings me to Captain America: Civil War.
There were two scenes where I recall the Black Panther (Chadwick Boseman) was a full-on CGI character: when he was sliding down the side of a building when chasing the Winter Soldoer (Sebastian Stan) and another when he was slowing hinself down after momentum carried him beyond the Soldier in a second confrontation.
Beyond those two instances, I assumed that the character–as well as many of the locations–were entirely practical.
Imagine my surprise to learn that virtually every scene featuring the Panther had three or four layers of CGI over a practical stuntman, and most of the locations were CGI enhanced as well!
Movie magic indeed.
XX, not to be confused with XXX: The Return of Zander Cage, is likely named after the female sex chromosome, an indicator this anthology (in this instance a movie composed of a series of shorts) will be directed by entirely by women.
Though what I am most concerned about is if the movie will be consistently scary because anthologies are notoriously difficult to do well due to they’re only as strong as their weakest entry (one reason Rod Serling’s Twilight Zone is one of the best of the breed is that it originally aired on network television, an episode at a time. This meant that strong stories weren’t shown directly before or after weaker ones, enabling viewers to judge them each on their own merits, as opposed to being directly compared against what aired only minutes before).
And having the whole project based around the fact that the directors are women? Not too sure that that’s a great idea because I would think that it’s only relevant if their sex informs what we’re seeing on screen in identifiable ways (who we are as individuals informs everything that we do, but in this particular instance the choice of female directors need to bring some sort of additional insight–for instance, I suspect Jennifer Kent’s The Babadook would be an entirely different movie in terms of its narrative thrust as well as its priorities, if it were directed by a man) that enhance what we’re seeing on screen.
Though if nothing about the vignettes that make up XX brings the distinctiveness I spoke to earlier, then I am unsure that there’s a point.
While Marvel Studios is doing some amazing things in the movie space, we sometimes forget that Marvel Television is making waves of their own on the small screen.
And while they have been doing solid work with Agents of S.H.I.E.L.D. and Agent Carter arguably their strongest work so far has been the series that have have done with Netflix, Daredevil, Jessica Jones and Luke Cage.
Along with a distinctive visual palate, each series is aurally unique was well, each evocative of different places and/or eras.
Daredevil opening sequence
Jessica Jones opening sequence
Luke Cage opening sequence
Daredevil’s theme was composed by John Paesano, Jessica Jones’ by Sean Callery and Luke Cage’s by Ali Shaeed Muhammad and Adrian Younge.
At this point I can’t wait to see and hear what Iron Fist and The Punisher bring!