While Marvel Studios is doing some amazing things in the movie space, we sometimes forget that Marvel Television is making waves of their own on the small screen.
And while they have been doing solid work with Agents of S.H.I.E.L.D. and Agent Carter arguably their strongest work so far has been the series that have have done with Netflix, Daredevil, Jessica Jones and Luke Cage.
Along with a distinctive visual palate, each series is aurally unique was well, each evocative of different places and/or eras.
Daredevil opening sequence
Jessica Jones opening sequence
Luke Cage opening sequence
Daredevil’s theme was composed by John Paesano, Jessica Jones’ by Sean Callery and Luke Cage’s by Ali Shaeed Muhammad and Adrian Younge.
At this point I can’t wait to see and hear what Iron Fist and The Punisher bring!
I published a video earlier this week on YouTube reviewing Netflix’s The OA, which I thought was a pretty remarkable bit of television.
I figure that I’d expand on what I said in the video, without spoiling the experience for people who haven’t seen it yet (besides, spoilers suck).
Brit Marling wrote most of eight episodes with Zal Batmanglij, (the latter having directed them all as well) and also played ‘OA,’ a woman who when she apparently dropped off the face of the Earth seven or so years ago was blind, yet could now somehow see.
How she regained her vision is one of the lesser mysteries in a series filled with them as OA accounts for the missing time.
We also come to learn that OA’s given name was Prairie (given by whom and why being another one of those minor mysteries central to her story).
What’s perhaps most interesting is OA/Prarie’s status as a narrator, which is to say that as the series goes on what she believes and the truth are not always the same things.
It’s this tension between whether or not OA/Prairie’s version of events is an accurate one is at the heart of the story.
With Netlix enabling subscribers the ability to download content it brings to mind more questions than answers.
For instance, I assume downloaded content must ‘expire’ after a certain period of time.
Using iTunes as an example, if I were to download a movie I would only have two or three days to watch it if I had started playing it. Otherwise I might keep it for months, despite that being an exercise in silliness (never mind a waste of valuable hard drive real estate).
Then there are the rights issues that accompany everything that appears on the streaming service. To get the aforementioned rights to television shows or movies Nextlix makes deals with content creators for millions of dollars, so does the ability to download their content cost Netflix more than they are currently paying (and this question is crucial, because if it does the likelihood is high that those costs would be passed down to consumers in the form of higher membership fees).
And while there has been no mention of any such increases–especially since the last time there was talk of a price increase it literally cost them millions of subscribers–nevermind the dubious ‘Quickster’ episode–we won’t know till we know.
If anyone had said that Marvel Television, when Marvel’s Agents of S.H.I.E.L.D. premiered on ABC a few years ago, that they would come to dominate superhero television I would have been hopeful, but wouldn’t have treated them too seriously.
Though having seen both seasons of Marvel’s Daredevil, as well as the first seasons of Jessica Jones and Luke Cage, it’s apparent that they’re coming to dominate the television sphere as completely as Marvel Studios has done for superhero movies.
And their latest creation: Marvel’s Iron Fist, which is going to lead into The Defenders
At this point, if you’re a Netflix subscriber you’ve probably already started watching Marvel’s Luke Cage (if you haven’t binged all 13 episodes, that is) so I don’t have any intention of spoiling it for you.
Except to say that the series is damn good television; so good in fact that–which I mention in my video review–you almost regret when a costumed villain is introduced.
Because before that moment, things were tight–which isn’t to imply that the appearance of Diamondback (Eric LaRay Harvey) ruined things because it doesn’t though the action and interplay between the characters was so engrossing that it wasn’t necessary.
And speaking of character interplay, Mike Colter, Alfre Wooddard, Rosario Dawson, Simone Missick, Eric LaRay Harvey and Theo Rossi stick out among one of the stronger casts in television.
The contrast between Marvel Studios’ more fantastical worlds compared to Marvel Television’s more grounded and realistic one is pretty interesting and provides a welcome and refreshing difference in approaches.
Next up, Marvel’s Iron Fist!
After thoroughly enjoying Marvel’s Luke Cage (review coming soon!) imagine my surprise to see a new trailer for Marvel and Netflix’s upcoming Iron Fist on Twitter.
There’s no reveal (yet) of Iron Fist–which is a good thing–but it’s very mysterious and harkens back to the character’s origins.
Here’s my reaction trailer to Marvel’s Luke Cage
. The trailer looks pretty awesome (but it isn’t always the case?) and if Daredevil
and Jessica Jones
are any indication, this will be pretty impressive as well.
The unremarked upon trailer is below.