The Predator – Teaser Trailer

What is it with the Alien and Predator franchises?

It almost feels like they’re being deliberately sabotaged (few other things can explain why Ridley Scott is so intent on undermining a series he himself helped to create) by some really bizarre decisions on the part of the people directing them, and it’s a pity.

In the case of the Predator, the problems started with 1990’s Predator 2 (the great idea of a Predator movie in the vein of Paul Verhoeven’s Robocop undermined by Stephen Hopkins paint-by-numbers direction and a weak script) and have pretty much continued to varying degrees since that time.

Though I had assumed that the Predator franchise had bottomed out with 2007’s Aliens Vs. Predator: Requiem.

And apparently I was wrong because despite being co-written and directed by the undeniably talented Shane Black (Lethal Weapon, Kiss Kiss Bang Bang, Iron Man 3) the upcoming The Predator looks to continue the time-honored idea of mixing lots of bad ideas with one or two half-decent ones.

For instance, the idea that the predators are using the DNA from the creatures on the planets they visit to make themselves even deadlier?  Great idea and probably the best addition to the franchise in many Hunter’s moons.

The idea that a little kid discovers a model (!?) of a Predator craft that somehow manages to (apparently) control an actual Predator spacecraft!?

Dumb beyond belief (on the face of it, at any rate).

Then there’s the idea of the movie taking place in Small Town, U.S.A., an idea that didn’t do AVPR ANY favors, so why not do it again?

As I said earlier, Shane Black is a damn talented writer and director, but I get the feeling he’s screwed the pooch on this one.

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Hollywood Ain’t All Glamour (Featuring Studio ADI)

Anyone who thinks being an actor is all glamor and copious consumption–which isn’t to say that that isn’t there, but that’s hardly the case for everyone that makes the movies many of us love–needs to spend some time with the actors that bring characters like the Predator and Pred-Alien to life.

As evidence, take a look at this clip from Studio ADI, from the making of the 2007 movie Alien vs. Predator: Requiem.  The video shows how they shot a scene toward the end of the movie, when the Pred-Alien squares off against a Predator sent to hunt it down on the roof of a hospital.

I can’t speak for anyone else, but the people playing the Pred-Alien and Predator must have had a particularly difficult experience, despite the efforts of the people working to keep the actors comfortable.  After all, they’re stuck in constricting suits–in the case of the former, probably barely able to breathe, hear or see–in an almost torrential downpour.

Which isn’t to imply that there was any other way to do it, because to go the CGI route would have probably made things like like a middling video game.

Though to make matters worse, to have to discover after the fact that all the hours of hard work you just went through could barely be seen in many instances because the movie was so badly lit…

‘Prometheus:’ Neither Fish, Fowl Or ‘Alien’

What I referring to is in interviews how Ridley Scott often says that he feels as if he’s taken the Aliens as far as he’s able–keeping in mind that Prometheus as originally written was firmly entrenched in the Alien universe, till Damon Lindelof joined the project and excised most of those elements from Jon Spaiths’ screenplay–yet he keeps throwing in ideas peripherally related to Alien, though not nearly enough to satisfy fans of those movies.

And while I hate to sound to sound cynical, it feels to me that he knows damn well that fans of the Alien franchise–hungry for new material–will see just about anything that has xenomorphs in it.

And I get that “Alien fatigue” may have set in and that Scott feels as if he’s taken the property as far as he possibly could.  That being the case, why not leave it alone and let someone else handle it; though admittedly the Alien sequels done by other directors have been uneven at best, with Aliens being the most watchable and Alien Vs. Predator: Requiem the least.

And while I wouldn’t call myself a fan of either Requiem or to a lesser extent, Alien: Resurrection, I’d rather see the movies embrace the material wholeheartedly and unashamedly, as opposed to the tentative way that Scott seemed to approach Prometheus, and how I am reasonably sure he’ll approach Paradise, its sequel, as well.

Though what’s really odd is that Ridley Scott intends to include Aliens in Paradise at all, which bothers me because, while Prometheus is a gorgeous to look at–it winds up being neither fish nor fowl.

Or maybe I am irritated over Vickers running in a straight line when the Juggernaut happened to roll in her direction.  Or how the pseudo-Facehugger not only survived decontamination in the Med-Pod, but somehow thrived.  Or…since showing is always preferred to telling, why don’t I just let CinemaSins give you a guided tour.