If you recall, I wasn’t terribly unimpressed by the Slender Man trailer, namely because it was too impressionistic for it’s own good.
Now the trailer for Blumhouse’s Truth or Dare–as opposed to the Truth or Dare that documented Madonna’s 1990 Blond Ambition tour (which depending upon the lens you view it through could be considered a horror movie) looks more like of what I expected from Slender Man.
And speaking of Madonna, if there’s a song by her–any song–in this movie I would do my damnedest to see it the day it premieres because that’s a bit too meta to be ignored.
In any case, Truth or Dare looks like a mix of It Follows and Final Destination–and not to sound particularly morbid but that pool table kill is gnarly, which is why I wonder how it made it’s way in. It’s particularly shocking–making this trailer Red Band material–and seems like something someone would have the sense to cut because it’s shocking the first time around but (assuming that it ends up in the movie) a little less so every time you see it.
it’s taken filmmakers long enough to realize that ‘quality’ and ‘horror’ aren’t necessairly mutually exclusive terms, if movies like The Babadook and It Follows are any indication.
Though it goes without saying that we’ll continue to get drek like Ouija (good idea, remarkably uninspired movie) and Paranormal Activity, but that’s okay as long as the good stuff continues be green-lit as well.
And speaking of ‘good stuff,’ StudioADI has cut an international trailer for their upcoming love letter to H.P. Lovecraft and John Carpenter’s The Thing, Harbinger Down.
The significance being that if there’s an international trailer, it assumes that at the very least that the movie will be released in theaters overseas, though I get the feeling that it will be lucky to get a limited run in theaters on this side of the world (though It Follows was was originally going direct to video, before someone thought better of the idea and released it to theaters).Trailer
And who knows? One successful adaptation of a Lovecraft-like movie could conceivably get studios to approve others.
I don’t claim to be a particularly deep person, though I think I understand what it is that’s at the heart of my enjoyment of horror movies. I think that a good horror movie makes me feel. Generally speaking, I have in the past been relatively numb to much that went on around me.
Living in such a way not only isn’t true to the way humans are supposed to live; it’s not true to what we are, which tends toward the communal. it’s also not true to any attempt to being in touch with the Natural world around us, despite the glee which we tend to either to pave it over or otherwise beat it into submission.
A good horror movie–or a entertaining, well-done movie of any type, really–allows me for a little while to step out of the conventions and straitjackets that society impose, and to touch a purer, more primal self.
Which is probably why movies like Annabelle and Ouija are so mediocre: They both hint at fears and emotions linked to something old and primal, but don’t deliver, because they do so so hesitantly and tentatively that it seems barely worth the effort (unless you’re talking about box office, which means that we are going to see many more Annabelles, because it was hugely profitable).
And if filmmakers are so afraid of revealing the Id, what could they possibly tell me, or anyone else, about it?
Which is why I am enthusiastic about movies like It Follows, The Babadook and Late Phases. Not only are all three getting really good buzz, but apparently they touch upon the collective fears that keep us up at night, the things that turn a shadowy corner into something potentially dangerous.
It Follows International Trailer
The Babadook Trailer 2
Late Phases Trailer