The Gifted is the second series begat from the deal between Marvel Entertainment and Fox and it’s curiously conventional-looking, especially compared to Legion (the first series launched on sister channel, FX).
That aforementioned conventionality may have a lot to do with it being directed by Bryan Singer, who helmed many of the X-Men movies, and contributed to their inconsistent tone (in terms of how they appear in movies versus their counterparts in the comics).
Recently it was announced that Fox is preparing not one, but two new television series based on Marvel Comics’ X-Men stable of characters.
One is Hellfire, based on the villains that appeared in X-Men: First Class known as the Hellfire Club. The leader is Sebastian Shaw (played by Kevin Bacon in the movie, which makes me wonder if he’s willing to reprise the role since his last television series, The Following, was cancelled a year or two ago).
The second is Legion, which revolves around the son of Charles Xavier, who was an extremely powerful–and more than a little bit unhinged in the comics–mutant known as Legion.
Though my question is, what is Marvel Studios getting? While Fox has the license to the X-Men characters in movies, they don’t in reference to television, so what did Fox do Marvel that enticed them to change their mind (especially since it’s entirely possible that one of the new series will be up against competing Marvel shows on ABC like Marvel’s Agents Of S.H.I.E.L.D., Marvel’s Agent Carter or upcoming series like Damage Control).
I haven’t seen anything that definitely proves this (yet) though I get the feeling that we might be hearing an announcement from Marvel Studios some time in the near future about the fate of the Fantastic Four (and the stable of characters connected to them).
The last time I mentioned this it was in reference to Marvel producing a comic based on the Silver Surfer–they have a tendency to cancel books that revolve around characters that they don’t have the rights to–so producing a new book based on a character that’s part of the Fantastic Four universe to me indicates a sea change of sorts.
And now two new television shows based on X-Men characters–which I am reasonably certain Marvel isn’t allowing them to do out of the goodness of their hearts–makes me even more confident that the next time we hear about the Fantastic Four, it will be to celebrate their return to Marvel.
As I repeat often enough, remakes are evil (except when they’re not). Recently I watched “Wishmaster” and “Wishmaster 2” on Netflix, and got to thinking…
I decided to deal with both movies at the same time because, despite one being a sequel, they’re essentially the same film. Sure, you have differences in casting and the quality of special effects the second time around (they’re marginally better, though not as inventive) but the story, like the song, remains the same.
Which is: An evil djinn (jinn. Islamic Mythology, any of a class of spirits, lower than the angels, capable of appearing in human and animal forms and influencing humankind for either good or evil) is attempting to force the person who frees him from his prison to make three wishes, which would enable him to free his brethren from the Limbo-like dimension that holds them, and rule the world.
Though, unlike with the Dictionary.com definition, there’s no doubt where this particular djinn’s loyalties lie.
And to my dismay, I soon discover that, instead of taking what could have been a rich mythology and building upon it, the Wishmaster comes off like a Middle-Eastern ‘Freddy’ (which is interesting, since Robert Englund, plays ‘Raymond Beaumont’ in the first film), a schtick gets old really fast. That being said, the concept of an evil djinn trying to free others like him in an attempt to depose humanity as the dominant species on the planet is actually pretty interesting and predates either “Underworld” (vampires and werewolves versus humans) or “Legion” and “The Prophesy” (Humans versus angels).