As I repeat often enough, remakes are evil (except when they’re not). Recently I watched “Wishmaster” and “Wishmaster 2” on Netflix, and got to thinking…
I decided to deal with both movies at the same time because, despite one being a sequel, they’re essentially the same film. Sure, you have differences in casting and the quality of special effects the second time around (they’re marginally better, though not as inventive) but the story, like the song, remains the same.
Which is: An evil djinn (jinn. Islamic Mythology, any of a class of spirits, lower than the angels, capable of appearing in human and animal forms and influencing humankind for either good or evil) is attempting to force the person who frees him from his prison to make three wishes, which would enable him to free his brethren from the Limbo-like dimension that holds them, and rule the world.
Though, unlike with the Dictionary.com definition, there’s no doubt where this particular djinn’s loyalties lie.
And to my dismay, I soon discover that, instead of taking what could have been a rich mythology and building upon it, the Wishmaster comes off like a Middle-Eastern ‘Freddy’ (which is interesting, since Robert Englund, plays ‘Raymond Beaumont’ in the first film), a schtick gets old really fast. That being said, the concept of an evil djinn trying to free others like him in an attempt to depose humanity as the dominant species on the planet is actually pretty interesting and predates either “Underworld” (vampires and werewolves versus humans) or “Legion” and “The Prophesy” (Humans versus angels).