…though not quite as good as the original.
I realized two things when listening to Marilyn Manson’s cover of Gerald McMann’s ‘Cry Little Sister’ from the 2010 Joel Schumacher horror/homosexuality allegory The Lost Boys namely Manson sings a lot better than I gave him credit for.
His voice holds up really well. That being said, the song is trying too hard to be haunting/scary, something the original pulled off more effortlessly.
The second is while the remake is by no means terrible, it’s does feel a bit pointless, since it feels different than the original in ways that seem to shout ‘I’m different!’ as opposed to having any valid reasons to actually be different.
Joel Schumacher often gets a bad rap because he directed movies like Batman Forever and Batman & Robin.
And having seen both of those movies in their neon-lined, homoerotic glory some of that opprobrium is certainly deserved though it has the unfortunate (and perhaps unintended) effect of tainting everything Schumacher has done before or since.
For instance, he also directed The Lost Boys (which also had a homoerotic subtext, though unlike in the case of his comic book adaptations, fit the material). I also recall Falling Down being enjoyable, as was Flatliners, a supernatural-tinged drama revolving around four medical students who participated in experiments where they ‘kill’ each other, then bring themselves back from the brink of death.
I don’t recall why they were doing that, though I’m reasonably sure the reasoning was pretty ludicrous.
The hook of the movie was that, when they came back, they came back haunted by events that took place in the their pasts.
I recall it being visually pretty interesting, though the third act was a bit trite and simplistic.
And unlike what some entertainment web sites may allege, the upcoming Flatliners isn’t a reboot, but a sequel to the 1990 movie.
Which is a really good thing since the story is essentially going to be the same as the original movie, so they might as well use it as a starting point and movie into (hopefully) new places.
A large part of my enjoyment of Joel Schumacher‘s The Lost Boys came from the music it featured. Schumacher always had an eye, or should I say an ear, for matching popular music to his productions, and The Lost Boys was no different. The soundtrack contained some great songs by artists like Gerald McMann, Echo And The Bunnymen (terrible name, great band), Inxs and Jimmy Barnes, among others.
Though one of my favorite songs was Beauty Has Her Way, by Mummy Calls. I had always assumed that they were a novelty act, created just for the movie, like The Monkees (who began life as a novelty band–essentially an Americanized version of The Beatles–that became real).
Though Mummy Calls were always the real deal. They were active in the mid-Eighties, though they broke up after one album.
They’re also a bit glam, with some really huge hair and mullets, but the song is awesome.