Did Solo Really ‘Bomb’ In China?


img_0027-1 Words matter, so if you read ‘China Box Office: ‘Solo’ Bombs With Third-Place $10.1M Opening’ from The Hollywood Reporter you’re likely to assume that the movie failed there.

And in a sense it did, though Star Wars movies since being purchased by Disney have underperformed in the Middle Kingdom before–Rogue One: A Star Wars Story ($69 million) and The Last Jedi ($42.5 million), notice the downward direction of those figures?–with perhaps the exception The Force Awakens ($124 million).

So, my question is why Solo: A Star Wars Story would be any different?

In fact, what should worry Lucasfilm is not it’s performance in China but it’s domestic take which at just over $83 million is problematic.

And it’s worth remembering that Ron Howard’s reshoots likely added somewhere in the ballpark of $50-100 million to the budget (that’s a guesstimate though I wouldn’t be at all shocked if it weren’t even higher),

A similar thing happened to Warner Bros Justice League when Joss Whedon replaced Zach Snyder.

So it’s not impossible that Solo will have the weakest opening of any of the Star Wars films under Disney, but could still eke out a profit when all is said and done though I but I wouldn’t be so quick to call–or imply–that it’s a bomb (even in China).

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Tomb Raider – Trailer

I can’t speak for anyone else, but I bet there’re a lot of people asking ‘Who asked for a Tomb Raider reboot?’

And the answer is ‘No one.’  Then again, who asked for new Star Wars films?  Star Trek?

The answer–while there are always people who would love to see more of these characters and the worlds they occupy–is also ‘No’ though the truth is Hollywood can care less what people ‘ask’ for and more what they’ll pay to see.

And Star Wars movies make gobs of money, no matter how plagued with difficulty they appear to be to actually produce.

Combine the tendency to tell people what it is they want to see with the profitability of Wonder Woman–also released by Warner Bros–with a new-found hunger for female-led action films and a reboot of Tomb Raider a no-brainer.

Is Apple 00Crazy!?

I just read in The Hollywood Reporter that Apple is reportedly vying for the rights to distribute James Bond (along with Amazon, Sony and Warner Bros) movies, which I am trying to get my head around.

Now keep in mind such a move would likely give Apple exclusive access to Bond’s entire back catalog (as well as future releases) though doesn’t Apple–via iTunes–already have this (on an unexclusive basis)?

It’s worthy repeating that Apple isn’t buying the right to produce Bond movies (that would be a serious coup) but the right to distribute them, though seeing that movie theaters will continue to be with us (though perhaps the window from theaters to digital would shorten) there would have to be a considerable effort to expand to other media; a risky effort because not only would you have to be not only concerned about the failure of a particular venture, but of diluting or damaging the franchise as well).

After all, do you remember a cartoon called James Bond Jr (Nor does anyone else; that’s not a bad thing if you’re able to digest the uber-cheesy theme song)?

I suspect part of what makes James Bond such an institution is it’s exclusivity, which seemingly would directly conflict with Apple’s (and Amazon’s long-term plans).

Besides, if Apple Apple really wanted content, they could relatively easily buy a film studio.

Is The Flash Cursed?


Of course the production isn’t (though the headline probably grabbed your attention, if only because it’s so asinine) though it’s shaping up to be a particularly troubled one.

First, Seth Grahame-Smith left due to ‘creative differences’–a term that is so vague that  it could literally mean just about anything–now according to Comicbook.com his replacement, Rick Famuyima, has left the production for the very same reason/non-reason.

If DC Films/Warner Bros and settle on a director that they’re creatively in sync with then most people will forget this game of directorial musical chairs was ever played.

Though if the movie, when the question of whom will direct is settled and it’s released, that is, either tanks or underperforms people are going to point to the defections of Grahame-Smith and Famuyima as early signs of a troubled production and the first cracks in the supposedly director-focused approach of Warner Bros Pictures.

Captain America: Civil War -Review

And Yes, it’s as good as you hear it is.

And there are ways to program against the box-office behemoth that is Captain America: Civil War, though pitting it against another superhero movie is probably not it.

In other words, I’m saying Warner Bros moving Batman v Superman: Dawn of Justice from the same release date was, in hindsight, very, very wise.
Though I suspect that Fox will feeling the pressure when X-Men: Apocalypse comes out later this month.