HUGE Doctor Strange Villain Confirmation

As I’ve said before, and bears repeating; I really hate spoilers. There’s often something about the early reveal of crucial plot-points that reeks of someone out to steal everyone else’s joy.

That being said, what I stumbled upon an article from it confirmed what I long hoped about the latest entry to the Marvel Cinematic Universe (or MCU) long before it even hit theaters. 

Namely, the identity of Doctor Strange’s enemy (and I don’t mean Kaecilius, played by Mads Mikkelson, below)

What tipped me off were his eyes and how the prosthetic he’s wearing looks as if he were burned.  

When I saw that I KNEW almost immediately who was either pulling Kaecilius’s strings or manipulating him to do his dirty work.

And that puppet master is the lord of the Dark Dimension!

As a result I don’t think that it’s a spoiler more so than a confirmation because people who know Marvel’s Master of the Mystic Arts probably suspected it all along, and those who aren’t familiar with him it won’t matter all that much for that very reason.  

The Origin Of The (Cinematic) Universe, Part One

‘Early Milky Way’ image via

Success breeds imitation, and in the past ten years few movie companies have been successful as Marvel Studios.

And while many in the Hollywood community seem surprised, if they had any idea of the pent-up demand for seeing characters like Iron Man, Falcon and many others that millions of people have grown up with from Marvel Comics, on the silver screen, they probably wouldn’t have been.

Though what made Marvel Studios such a success wasn’t superheroes in and of themselves (despite the aforementioned demand) but the way they were presented.

What Kevin Feige, President of Marvel Studios, brought to the table was the creation of an integrated cinematic universe, the likes of much had never been seen in movies before (coupled with extremely faithful interpretations of the characters).

And as far as ‘imitation’ goes, other companies have tried to mimic the approach of Marvel  Studios, with varying degrees of success.

Sony Pictures attempted to create a cinematic universe based on Spider-Man with The Amazing Spider-Man movies. After an initially strong showing, the sequel–while profitable–indicated a definite downward trend, financially speaking, for the franchise.

So they, perhaps anticipating the franchise falling precipitously enough that the rights would eventually revert back to Marvel, instead entered into a deal where future Spider-Man movies would be under Marvel Studios’ creative control, while both studios produced (some have written that the upcoming movies would be produced exclusively by Sony, with Marvel providing only creative control.  This literally makes no sense at all because having only creative control gives Marvel Studios relatively little, while granting Sony access to the uber-successful Marvel Cinematic Universe (Iron Man, played by Robert Downey Jr., is one of the most successful Marvel Studios’ characters, who’ll next appear in Spider-Man: Homecoming). 

Universal Pictures plans to create a cinematic universe based upon Dracula, Frankenstein’s Monster, the Wolf Man and the Mummy (which is filming with Tom Cruise in the lead).  At this point it’s too early to tell how well it will do.

What’s perhaps most surprising is the current position of DC Films in the world of the cinematic universe.  ‘Surprising’ because before Marvel Studios was barely an idea they were producing movies based upon Superman and Batman.  The problem was that–for reasons that will probably never be entirely known–they never built and expanded their offerings, despite seemingly ample opportunities to do so.

Logan – Official Trailer

screenshot-2016-10-20-10-45-40It’s no secret that I don’t particularly like what Fox has done with the Marvel’s X-Men, though take that dislike and double it, and that’s approaches what I feel what they have done with Wolverine.

And the worse thing for me is that it’s all about greed.

Hugh Jackman’s portrayal (despite that, visually speaking, he’s not at all like the character in that he’s too tall and too handsome) won fans over early on, so what they did was make everything about him, sidelining virtually every other character.

So, did I like the trailer for Logan? It’s okay. It’s certainly trying (a bit too hard) to get across a certain mood and atmosphere, which it does; Johnny Cash song and all.

I also like that it appears that the cinematographer seems to be making use of a lot of natural light in the trailer because there’s something that’s stultifying about people that are perfectly lit.


Assassin’s Creed – Official Trailer 2


I honestly don’t know about this movie, both literally and figuratively because it doesn’t feel as if there’s any particular reason to make it more than someone  thought that the video game is awesome and would makes a great movie.

And who knows? Maybe it will, maybe it won’t (I said I don’t know).

Though what’s more pressing at the moment is the Animus, and what to me looks like a (relatively apparent) logic hole. In the screenshot from the video below you’ll not notice that I’ve included a scene where an arm of the device that’s part of the Animus process is attached to Fassbender’s back.

Part of the Animus.png

As far as I can tell, the point is to mimic the motions his past aspect is going through, so if he falls, the arm lifts him to an approximate height, so he can mimic the motion in the present day.

Now here’s the problem:  The space where the Animus looks to be set up looks far too small to mimicking the actions of what his avatar is going through.

For instance, you see scenes of Fassbender’s avatar literally diving off buildings that look hundreds of feet tall.

The point being, I’m guessing that that mechanical arm has to be approximately the same distance from the ground as the leap his past self is making or he’s going to be a handsome splash on the ground.

It’s a little thing, but little things count, especially when you’re supposedly establishing a new franchise.

Marvel’s Luke Cage – Review

At this point, if you’re a Netflix subscriber you’ve probably already started watching Marvel’s Luke Cage (if you haven’t binged all 13 episodes, that is) so I don’t have any intention of spoiling it for you.

Except to say that the series is damn good television; so good in fact that–which I mention in my video review–you almost regret when a costumed villain is introduced.

Because before that moment, things were tight–which isn’t to imply that the appearance of Diamondback (Eric LaRay Harvey) ruined things because it doesn’t though the action and interplay between the characters was so engrossing that it wasn’t necessary.

And speaking of character interplay, Mike Colter, Alfre Wooddard, Rosario Dawson, Simone Missick, Eric LaRay Harvey and Theo Rossi stick out among one of the stronger casts in television.

The contrast between Marvel Studios’ more fantastical worlds compared to Marvel Television’s more grounded and realistic one is pretty interesting and provides a welcome and refreshing difference in approaches.

Next up, Marvel’s Iron Fist!

Valerian And The City Of A Thousand Planets – Poster


Lucy Besson, while a visually sumptuous director, is not a terribly original writer–which may have a little to do with him settling with John Carpenter over his 2012 movie Lockout, which was essentially Escape From New York aboard a space station.

Lucy, directed by Besson in 2014, fared particularly well financially, though many considered the story (about a woman, played by Scarlett Johansson, who though a mysterious drug gains the ability to unlock the unused potential of the human mind and gain god-like powers) as particularly dopey.

He’s back in 2017 with Valerian And The City Of A Thousand Planets–a title that on its face doesn’t make sense–that’s based on a French comic series by Jean-Claude Méziéres.

I hope it does well mainly because many European comics don’t get nearly the recognition here that they do there, and it would be good for people to expand their knowledge of such things beyond what we see presented by Marvel Studios and DC Films.

Pirates of the Caribbean: Dead Men Tell No Tales – Trailer


I have to admit that I didn’t expect this trailer to drop quite so soon (especially since my last post was for the movie poster).

So here’s the trailer, and what’s interesting is that we get a lot of Javier Bardem and no Johnny Depp at all.

Is that an artistic choice? Could it have a little to do with Depp’s marital woes?

Only time will tell.