Alien: Covenant | Prologue: The Crossing – Trailer

I find this latest trailer for Ridley Scott’s upcoming Alien: Covenant particularly fascinating, though not necessarily for the reasons that I originally thought I would.

I found the idea that Shaw (Noomi Rapace) had initially reassembled David (Michael Fassbinder) somewhat troubling, especially when you take into account the chaos that he had a hand in initiating–never mind the de-facto murder of Halloway (Logan Marshall-Green) though it’s not apparent that Shaw realizes that David was behind that.

Though it actually makes sense that she would repair David because the likelihood is great that she could not pilot the ship alone, and besides the idea of traveling to an Alien–literally and figuratively–with a talking, disembodied head would probably NOT be a great idea.

Besides, Shaw has journeyed light-years across space on the strength of her faith; on the chance that she might meet the people who literally engineered the Human species.

Compared to the wonders she’d seen, and the terrors she’s survived, repairing David is almost a no-brainer.

Though what’s most interesting about the trailer is toward the end, when the ship arrives in the Engineer homeworld and David says: ‘Look on my works, you Mighty, and despair!’

That’s a line from Perry Bysshe Shelly’s Ozymandias and while it’s uncertain how David means it, seeing that the poem revolves around a found remnant of a fallen empire, it doesn’t look good for the Engineers.

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Alien: Covenant – Meet Walter – Trailer

This is a fascinating trailer (and probably more interesting than any trailer has any right to be), so let’s start at the beginning.

First off, take a gander at this.  Why are they wearing these masks?  It certainly isn’t for reasons of protecting against the introduction of bacteria because they have so many large holes that they would defeat the purpose.

Though they do look especially cool.


And I think I might know a potential source that inspired them.  The ‘androids’ below are from an episode from Year Two of  Space:: 1999, One Moment of Humanity. 



Coincidence?  Maybe, maybe not.
Then there’s this which implies in the future AMD is not only doing WAY better than they currently are, but they may have even surpassed Intel, which is interesting for all sorts of reasons.

There there’s this, the logo of the Weyland-Yutani Corporation.


Which remarkably similar to this…


Known as the Winged Sun, this iconic symbol from ancient Egypt is associated with divinity, royally and power and a fitting symbol for what is likely the most powerful corporation in the Alien universe.

And last but not least, there’s this…


From the trailer this looks like Walter (Michael Fassbender) is hanging with other synthetic people, but why are they all so…white?  It seems a rather odd omission when when you take into account that Ridley Scott himself has been accused of whitewashing (Exodus: Gods and Kings) and it would have certainly simple for him to include at least one person of color.

Suicide Squad & Deadpool Sitting In A Tree…

k.i.l.l.i.n.g.  (though based on the tone of Deadpool‘s Valentine’s Day trailer, you’d be forgiven if you thought the latter).

Both Deadpool and Suicide Squad seem to be exploring the darker sides of their prospective universes though if you ask me I think DC Films should thank whatever deity they worship that Fox’s entry is coming out six months before because while both films promise a darker–and certainly more violent, if the former’s R rating is any indication–take on superhero movies only one of them seems to be really innovating in the space.

The trailers for Deadpool promise a sense of irrelevance and fun that would be a serious differentiator if the two films were competing against each other directly.

That’s a line of commentary that’s pretty much negated by both coming out months apart, though its an interesting thought exercise.

 

How StudioADI (Almost) Saved Alien: Resurrection

Jean-Pierre Jeunet’s Alien: Resurrection, along with David Fincher’s Alien 3, are considered–and rightly so–to be the worse movies in the Alien franchise.

In reference to the the former, that’s probably true, but doesn’t tell the whole story.  For instance, Joss Whedon (Serenity, The Avengers, Avengers: Age of Ultron) wrote the movie, and had a few things to say about the casting as well as how he final product veered from his screenplay.

Another point is that, despite the issues revolving around the casting or story–what’s the point of giving the Alien Queen the ability to reproduce like mammals do, anyway?  Not only is it oftentimes painful (which may aid to bond the mother and her offspring), mammals typically produce much less offspring than insects, which the Aliens essentially are.

So when the entire premise of your movie is a wash, it’s typically a bad sign.

That being said, studioADI handled a lot of the practical special effects–Ripley models, the full-sized Alien Queen, etc–and their work is easily the best part of the movie.

And while it wasn’t  not enough to save the movie, visually speaking, it came damn close.

Independence Day: Resurgence – Trailer

The trailer for the latest chapter in the Independence Day saga dropped a few hours ago, and to be honest I’m feeling a bit overwhelmed.  Between Star Wars: The Force Awakens, Captain America: Civil War and Batman v Superman: Dawn of Justice and X-Men: Apocalypse there are some huge movies coming out relatively soon.

There’s potentially millions riding on when these movies drop because–as we have seen with In The Heart Of The Sea, an otherwise decent looking movie except for the fact that it’s expensive (supposedly somewhere in the ballpark of $100 million) and was released a week before Star Wars: The Force Awakens–I get the feeling that one, or even two of these movies aren’t going to do nearly as well as prognosticators like to think.

Which leads to Independence Day: Resurgence.  While it’s good to see Roland Emmerich moving away from the whitewashing of gay history in Stonewall, I am not sure that a sequel to Independence Day–sans Will Smith–has the box office muscle to take on Captain America, Batman and BB-8.

Like I implied earlier, if this is released with a few months of breathing room, it will probably do fine.  If it goes against any of the movies I’ve listed above–minus In The Heart Of The Sea, which will likely have left theaters–then Independence Day: Resurgence might not be able to stand against the tentpole tsunami soon to hit land.

Fantastic Four – Trailer

Josh Trank‘s Fantastic Four just released a trailer, and its…okay.  All the elements are there, but it’s coming on the heels of  trailers for Star Wars: The Force Awakens (still hate that subtitle), Ant-Man and Batman v. Superman: Dawn of Justice, so it’s easy to see why it’s a bit underwhelming at this point.

As I said, it’s okay.  You see the Fantastic Four display their abilities, glimpse Doctor Doom, as well as the Negative Zone.

I guess my biggest issue is that I really want to see the Fantastic Four, as well as the X-Men, back in the hands of Marvel Studios, because they’re shown, if nothing else that they know how to manage their franchises.

Fox?  Not so much.

And if I were being entirely honest, I have to say that what I know of Bryan Singer (which is admittedly little) I don’t particularly like.

‘The Hunger Games: Mockingjay Part 1’ Trailer

For those of us that aren’t divergent enough, or aren’t into maze running, there’s The Hunger Games: Mockingjay, Part 1 (and speaking of Part 1, I get the feeling that if Lionsgate could have stretched the last book in the series out into three or more movies they would have done so) where it looks like Panem is falling into revolution and Pitta has crossed over to the Dark Side–or has he?

So here’re the trailers for the upcoming Hunger Games sequel, as well as The Maze Runner and Divergent (The Maze Runner appears to be performing strongly overseas, better than Divergent in fact) because I am about nothing if not added value.

The Hunger Games: Mockingjay, Part 1

The Maze Runner

Divergent