I find this latest trailer for Ridley Scott’s upcoming Alien: Covenant particularly fascinating, though not necessarily for the reasons that I originally thought I would.
I found the idea that Shaw (Naomi Rapace) had initially reassembled David (Michael Fassbinder) somewhat troubling, especially when you take into account the chaos that he had a hand in initiating–never mind the de-facto murder of Halloway (Logan Marshall-Green) though it’s not apparent that Shaw realizes that David was behind that.
Though it actually makes sense that she would repair David because the likelihood is great that she could not pilot the ship alone, and besides the idea of traveling to an Alien–literally and figuratively–with a talking, disembodied head would probably NOT be a great idea.
Besides, Shaw has journeyed light-years across space on the strength of her faith; on the chance that she might meet the people who literally engineered the Human species.
Compared to the wonders she’d seen, and the terrors she’s survived, repairing David is almost a no-brainer.
Though what’s most interesting about the trailer is toward the end, when the ship arrives in the Engineer homeworld and David says: ‘Look on my works, you Mighty, and despair!’
That’s a line from Perry Bysshe Shelly’s Ozymandias and while it’s uncertain how David means it, seeing that the poem revolves around a found remnant of a fallen empire, it doesn’t look good for the Engineers.
I honestly don’t much like what I have so far seen from Zach Snyder’s upcoming Justice League and the recently released International Trailer hasn’t much changed my mind.
Snyder’s visual esthetic is on full display, which is to say that most images have a murky, ugly aspect to them, though if this were the movie’s only problem I might be okay with it.
My greatest problem with Justice League–and the entire DCEU (DC Extended Universe) is its relative unfaithfulness to the source material.
And since Zach Snyder was the creative force behind the emerging cinematic universe, he needs to be gone so that Geoff Johns–or whomever is leading DC Entertainment this week–can put their visual, as well as esthetic, stamp on the growing cinematic universe.
The trailer for Marvel Television’s Cloak & Dagger dropped today, and I really liked it.
Sure, it went a bit heavy on the whole YA (Young Adult) angle, though when you take into account that it’s airing on Freeform–a name that sounds more like a type of women’s undergarment than a television network–which was formerly known as ABC Family.
What the trailer does well is set up a contrast between Tandy Bowen/Dagger (Olivia Holt), a well-to-do white girl and Tyrone Johnson/Cloak (Aubrey Joseph) a poor, struggling black teenager.
Rian Johnson’s Star Wars: The Last Jedi was released a few hours ago, and looks… like a Star Wars movie.
Which is stating the obvious, though it also reveals a problem. The last Star Wars movie, Rogue One, was what you get when you take Star Wars and remove the wonder, heart and engaging characters that made that made the series so well-loved by so many (even George Lucas’ much maligned–and deservedly so–prequel trilogy).
And sure, Rogue One made a gazillion dollars but it could easily be a case of diminishing returns, like in the case of Sony’s Spider-Man franchise.
Though to be fair it appears that The Last Jedi looks like it’s at least attempting to bring some of the aforementioned wonder and mystery central to prior entries, and that’s a good thing.
Will it work? I have no idea, but it’s worth trying.
You’d think an action comedy/drama featuring Sam Jackson and Ryan Reynolds would be a slam dunk, then you’ll catch the trailer for Patrick Hughes‘ The Hitman’s Bodyguard and come to realize that maybe that’s not always so.
I was hoping that at any moment it word turn into a more erudite version of Waltet Hill’s 48 Hrs.
It doesn’t, though that could be because the trailer isn’t very effective. It consists of Reynolds and Jackson playing characters we’ve seen them do before, though typically better.
I have no idea why they’re calling the new trailer for Thor: Ragnarok a ‘teaser’ because it definitely has all the goods.
Ironically, what makes it such a joy to watch was that the prior movie in the series, Thor: The Dark World–while by no means terrible–was a bit underwhelming.
Director Taika Waititi looks like he’s hit his first feature for Marvel Studios out of the park.
Michael Bay says that there’re 14 Transformers stories in development (most of which are probably intended to be made into movies) and on hearing the news something shriveled up inside me, like an organ that no longer served a practical purpose.
So, I guess I’m saying Transformers are the cocyxx of the movie ‘body.’
They have bothered me for various reasons. One being that you can tell they take serious money to produce, yet there’s surprisingly little to show for all the effort.
I have yet to see a Transformers movie that in any way resonated with me mentally, or provoked a discussion about anything (other than irritation about never getting the time spent viewing the movie back again).
And I also understand that the Transformers are vehicles–pardon the pun–to sell toys, but do they have to do so so blandly, as if the idea of an engaging story were enough to scare off the people who flock to see the movies to the tune of billions of dollars?
Disney does the same thing–in terms of producing movies with the intention of getting toys based on them on store shelves before whichever holiday season happens to be just around the corner–but their Pixar, Marvel Studios and other divisions typically tell interesting stories as well.