A teaser trailer for Jon Watts’ Spider-Man: Homecoming was released today, and having seen it I almost wish they hadn’t.
First off, it has a very found footage type of feel (which is to say a bit cheap).
Secondly, and perhaps more importantly, it ends with Spider-Man/Peter Parker (Tom Holland) exclaiming, “This is the coolest thing I’ve ever seen!”
And while that quote is out of context, it comes off as a bit too self-reverential for comfort.
Hopefully the full trailer will bring some much needed context.
I hate to say this about any movie, but Transformers: The Last Knight needs to fail (or at the very least, do not so quite so well) at the box office.
And I want that to be the case for the best possible reasons, namely the movies have so far been terrible, and apparently nothing else will change that beyond one of them belly-flopping at the box office.
As long as they’re successful, Michael Bay will direct. As long as they’re successful we’ll be “treated” to multi-million dollar movies less involving–from a story standpoint–than the cartoons and toys that inspired them.
And I don’t necessarily blame Bay because while the success or failure of a movie rides on the director’s shoulders, in the end it’s the viewers–people like you and me–who really make that determination.
And I intend to do my part: I promise that I will not pay to see Transformers: The Last Knight–nor will I pirate it, because that’s doesn’t help the situation–even out of curiosity, to see if it’s as bad as I expect and the rest of the movies in the series has been.
So do your part to stop Hollywood from burying us in CGI-fests that are less interested in telling any sort of cohesive story than they are to get us to buy some piece of junk our children will abandon for the box it came in, and instead support movies that at least pretend to have some sort of narrative thrust.
Silence, the latest movie from Martin Scorsese, looks absolutely gorgeous, as the two images I have included from the trailer will attest to.
My problem with the movie–sight unseen–are less with the auteur behind the camera than the subject matter, which revolves around two Catholiic missionaries, played by Adam Driver and Andrew Garfield, who head to Japan in search of one of their number who apparently vanished.
Being Catholic missionaries, there is literally no way that they aren’t going to try to impose their beliefs on people that aren’t, shall we say, terribly receptive to them (at least initially).
It’s likely where the central conflict of the movie stems, but the notion of having one’s beliefs forced upon others has always been a very touchy issue for me.
Another sticking point is Adam Driver, who if he were anymore wooden, you could replace with Keanu Reeves and barely notice the difference
Another Thanksgiving has come and gone, but what holiday can’t be made better with just a touch of mayhem to help hold down the virtually indigestible turkey that in a few hours is guaranteed to make you feel like you’re passing a catcher’s mitt.
Enter Thankskilling, a holiday-themed horror movie that shows that sometimes it’s definitely better to give than receive; which is particularly relevant when you’re dealing with a demonic, talking gobbler who’s determined to make you the entrée!
Having just seen the trailer for Collateral Beauty, initially the first thing that came to mind was Meet Joe Black, where Brad Pitt was the personification of Death (though this time the honor goes to Helen Mirren).
That is, till I noticed that Will Smith seems to be playing some sort of savant (revealed in the meticulous patience required to set up all those dominoes, which I assume he did), that was probably brought on by some sort of trauma, such as the death of his wife and daughter..
So, essentially he’s trying to heal himself, though to do so he has to go back to the place of the original trauma, but his mind is torn, which is why he’s apparently seeing ghosts (they represent his mind warring with itself, in an effort to heal).
So now it’s more like Identity (I guess), minus the gnarly murders.
I really like this trailer a lot. First off because it initially plays like a riff on Francis Ford Coppola’s Apocalypse Now–which cannot be an accident–by way of Jurassic Park.
Then there’s the almighty Sam Jackson (who will probably end up devoured by something before the credits roll) who never fails to bring his A-game.
In fact, I have no idea if the familiarity of what we see in the trailer is necessarily a good or bad thing (as I said, I like it but others might not see the point since it doesn’t necessarily seem to be bringing anything new).
By the way, Tom Hiddleston barely makes an appearance. I know we’re dealing with a large ensemble cast, but he’s one of the headliners.
Some movies aren’t made for me, and I understand that though what really needs to sink in is that that doesn’t necessarily mean that a movie is doomed to failure.
I learned this rough lesson most recently when I swore to the heavens that Angelina Jolie’s 2014 movie Maleficent would tank at the box office.
Over $758 million later, I was shown the error of my ways.
I feel similarly about Disney’s upcoming Beauty And The Beast, which probably is an indicator that it will break a billion.
It’s also worth mentioning that despite being directed by Bill Condon visually speaking the trailer reminds me a lot of Guillermo Del Toro’s Crimson Peak (particularly the opening till a talking clock, teapot and teacup make an appearance, reminding us that we’re firmly entrenched in Disneyland).
And maybe that’s not a coincidence because Del Toro was for a time going to direct (that is, till he wasn’t, and was replaced by Condon).