Sony is in a really curious place as far as their licensed Marvel Comics characters go.
Spider-Man himself is currently being very well-managed by Marvel Studios, who’re essentially producing movies gratis for Sony–so they’re building a branch of the SpiderVerse that doesn’t include him.
Which is a bit problematic because the characters that they’re building their franchise on, Venom, Silver Sable and Black Cat, under most conditions exit alongside Spider-Man (and were in fact introduced in his comic).
So if you take him away you’re (mostly) removing the context that they exist in as well.
Like I said, it’s a problem (though truth be told for those of us not well-versed with the comics it’ll be a relatively small one) .
This version of Spider-Man is Miles Morales, and if I recall for a time existed in an alternate Earth or something to that effect.
I want to trust this trailer. After all, The Midnight Man stars Lin Shaye and Robert England (likely in supporting roles, but still) in a story about teens doing what it is that teens do, which typically (in horror movies, at any rate) is meddle with things that they shouldn’t.
My uncertainty about The Midnight Man is due the title and story being thematically similar to The Bye Bye Man, which is supposed to be a piece of crap according to Half in the Bag, though Variety was infinitely more charitable, essentially calling the movie disposable, but by no means unwatchable.
I recall that someone explained why it is that Japanese people in anime don’t look particularly Japanese, but I don’t recall the explanation (which implies that it didn’t particularly resonate for me).
I should mention that my feeling also doesn’t apply to all anime. Characters from the works of Hayao Miyzaki appear distinctly Japanese (in terms of how they’re drawn).
Which is one of the reasons I enjoyed Gantz: 0: all the characters looked Japanese (which makes sense when something takes place in Japan).
I was bothered as much as anyone else by Scarlett Johansson’s casting as the Major in Ghost in the Shell though less because she was playing a Japanese character–since as I explained earlier, the Major never looked Japanese to me–more than I knew she was despite that fact and therefore should be played by a Japanese person.
Though having seen the trailer for Full Metal Alchemist–filmed with an entirely Japanese cast–it looks a bit…off, especially compared to the episodes of the anime I have seen.
It’s sort of weird, but it reminds me of someone’s interpretation of Full Metal Alchemist–which it obviously is–but I mean in a more deeper, essential sense of who these characters are.
It’s like it were being made especially for the Japanese market–which in a sense it is–after the Hollywood version.
If that makes any sense.
I have to admit that this trailer brought a smile to my face; which I honestly didn’t expect because as of late Star Wars movies have become known for the drama behind the scenes than on the screen since becoming a part of Disney.
And dissatisfaction with a director or the way a story seems to be progressing is by no means uncommon, though with Lucasfilm it seem to occur on a regular basis, such as with Rogue One, and the upcoming Han Solo prequel.
Which is why Rian Johnson’s (Brick, Looper) upcoming The Last Jedi is so refreshing. It appears that he got the job, and shot the movie. (Seemingly) No fuss, no muss and thankfully no drama.
1993’s kaiju versus giant robots epic Pacific Rim never appeared to find its audience domestically–earning three times more ($102 million vs $309 million) at the foreign box office (primarily China).
And it’s hard to understand why, epecially when you take into account it had more heart and was more clever in it’s first five minutes the all the Transmorphers movies combined (that’s not a typo. I despise those movies so much I dare not type their names) and those made gobs of money.
On the strength of the aforementioned foreign box recepts we’re getting a sequel: Pacific Rim: Uprising (speaking of which, who’s doing the ‘uprising?’ The first movie revolved around extra dimensional beings who entered this world through a rift in the bottom of the Pacific Ocean though the subtitle implies a significant change in relationship between humans and the aliens).
What I know for certain is that Guillermo Del Toro will not be directing this time around (that honor goes to Steven DeKnight).
And I am not sure how I feel about that. Part of my problem is that I tend to over-emphasize with Del Toro (a person I have never met, and vice versa) on the strength of his movies.
I really–somewhat irrationally, I know–really want him to succeed despite there being little (other than having seen a well put together and interesting movie) benefit or incentive for me to feel that way.
Though there’s also the feeling that so many lesser directors manage to be much more successful on top of the list of projects he has either abandoned or never got to make (The Hobbit and At the Mountains of Madness come to mind though I’m still holding out for the latter) for various reasons.
Though if anyone were to replace Del Toro, Steven DeKnight is a great choice (check him out on Twitter at @stevendeknight he’s interesting, opinionated and refreshingly free of bs and pretentiousness).
Kind of like Del Toro himself.
I like this trailer a lot though what’s most interesting (at least to me) is that it reminded me of Gareth Edwards’ Monsters except unlike in the case of that movie stuff seems to actually happen.
Story-wise it looks like some sort of alien consciousness has arrived on Earth, with it’s presence seeming changing the planet in some very interesting ways (which is also similar to Edwards’ movie).
It appears to be trying to adapt Earth’s environment to one more comfortable for it, or is it a beginning of an invasion?
It also feels a bit like Arrival in that no one seems to understand why it’s there, and what’s it’s underlying purpose is.
I saw The Maze Runner in theaters, and DESPISED it. It wasn’t a bad movie, was visually attractive and for the most part competently-made.
So what’s the problem?
I found it terribly insulting at times–the glade the characters were in was surrounded by a huge wall, but in the very same scene you see a treehouse (implying that they could have built a structure, like a ladder, to climb it)–and just bland.
And that’s only one example of the insults to the intelligence that comes to mind, and that would be bad enough though to top it with the needless, bizarre, labyrinthine secrets of WCKD is just too much.
It’s needlessly elaborate and more than a little bit pointless.
And in case you don’t feel like reading..: