Support LEGO potentially creating a LEGO-ized version of the Eagle Transporter from Space: 1999, one of the most awesome and iconic spaceships in television history.
No matter if your preference is for the more cerebral Year One…
Or more dynamic Year Two, you can’t go wrong.
Though most fans of Gerry Anderson’s (arguably) best life action series would want most is a Year Three, but that’s unlikely to happen anytime soon because ITV (the current rights holder) are apparently doing everything they can to ensure that it doesn’t.
(To be fair in 2012 there was talk of a reboot, Space: 2099, but that fell by the wayside).
As I implied, I wouldn’t hold my breath for a new series, so one way to0 show your love is to create create an account at LEGO Ideas and answer a few questions (all relevant to the potential project).
Besides, if LEGO does an Eagle, can a Hawk be far behind?
And if there’s enough interest to create a LEGO-ized Hawk, who knows what can happen?
The official trailer for ITV’s The Thunderbirds Are Go! has dropped, and I like the way that they tried to integrate practical sets with CGI people and vehicles. (I also liked what appears to be a shoutout to Gerry Anderson’s Space: 1999, shown below).
Unfortunately, despite efforts to make the CGI characters look like puppets they still look like computer graphics, which has never been that great in portraying people (unless dead eyes and oddly spastic movements are your thing).
If the above trailer doesn’t prove my point, then take a look at 2010’s–was it really that long ago!?–Tron: Legacy. The CGI representation of Flynn (Jeff Bridges) attracted a huge amount of attention, but despite being state of the art at the time, it wasn’t actually that good a representation because–as far as humans go–our faces are composed of all sorts of muscles that interact with each other.
Let’s say you smile, your cheekbones move, which in turn shifts the position of your eyes, which slightly changes your forehead, perhaps wrinkling it.
Generally speaking, when humans, as well as animals, though it may not be quite as evident because their bodies may be covered with fur–move one aspect of our bodies, be it our faces or whatever–there’s an entire cascade of smaller movements that accompany it. Which was why the computer animated Flynn was so odd looking: his mouth would move, then literally nothing else on his face would, which looks like he’s received a botox injection in his forehead and cheeks.
So I guess what I am saying that I would have preferred it if they went with puppets, with CGI used when characters have to run or walk (because puppets have never done those two tasks particularly realistically) as well as spaceships and things like that.
Gerry Anderson as a producer has always fascinated me. Despite being behind some of the most innovative puppet (Supermarionation)-based television series, he was never entirely satisfied with working with them, and always wanted to work with flesh and blood actors.
That being said, he first time that he did so, in UFO, Journey To The Far Side Of The Sun (Doppelgänger), Space: 1999 and Space Precinct the characters tended to exhibit a range of expressions and emotions not too far distant from the puppets he wanted to move away from.
Though what I found telling was that in his The New Adventures Of Captain Scarlet, which created in Hypermarionation (CGI and image capture), the vehicles looked fantastic, characters moved with a fluidity absent from any of the Anderson puppet-based series.
Yet the obvious care that went into vehicle design and movement was absent from the characters faces, which looked as stony, as puppet-like, as ever.
I mention these things because ITV recently released a video of some of the props that WETA is using for their upcoming Thunderbirds Are Go! and what’s most interesting is that despite the characters–as far as I am aware–being entirely CGI they’re still creating physical props to work with.
It’s an interesting approach, which I wish that Anderson would have perhaps considered with his Captain Scarlet series.
There’s a new Thunderbirds series coming from ITV, which is a good thing. The not-so-good-news is that the Anderson estate has nothing to do with it (if Jamie Anderson has a connection, he’s not telling), though perhaps that’s counterbalanced by Jonathan Frakes also having nothing to do with it, considering the mess that he made of the Thunderbirds movie.
Though what bugs me most of all is that Gerry Anderson–and by extension his estate–seems to have no stake in any of the series he was pivotal in creating, like Terrahawks, Stingray, UFO, Joe 90, etc, which means that whichever studio happens to hold the rights can put the name of an Anderson series on whatever drake they choose, and there’s nothing anyone can do about it.
Which is why I have very little hope that the upcoming (someday?) reboot based on Anderson’s Space: 1999 (And you’re eyes aren’t playing tricks with you. The article is indeed from 2012, which means whatever’s happening with Jace Hall and ITV, it sure as hell isn’t happening quickly).
The original Tomorrow People, a British series from ITV that aired from 1973 to 1979, revolved around a group of young people that were the next stage in human evolution.
This current incarnation, airing on the CW, is the fourth version of the series.
From what I recall from the original, the world knew nothing of their special talents, though in this more recent version they are known to the government (and an organization called Ultra, which employs them for nefarious purposes).
The series is pretty much a revamp of “Heroes,” which aired in 2006, and lasted four years.
The reboot isn’t terrible, though unlike the series it’s based upon, has a significantly larger budget for sets and special effects.