REview: Candyman (2021) | It Does A Lot of Things Right (And Wrong)
I was not looking forward to Nia DaCosta’s reboot of Candyman (2021) because I was always impressed by Bernard Rose’s 1999 movie and as I’ve always said: Remake terrible movies, not competent, well-done ones (despite the original Candyman not aging particularly well). When DaCosta’s reboot does something well – such as providing a basis for […]