Marvel’s Cloak & Dagger – Trailer #1

Having speculated yesterday on what Marvel’s Cloak & Dagger needed to succeed-a healthy budget and good FX (solid acting and characters easy to relate to should go without saying)–and having just watched the trailer I think they got Dagger right.

Her light knives looked a bit too ‘solid’ for me initially, but on repeat viewing they seem okay.

Though Cloak is a much more problematic.  At least as depicted in the trailer, he comes off more like Nightcrawler than he does Cloak.

It’s early days yet though I really want to see Cloak actually wearing a–I don’t know–a damn cloak.


Here’s how they looks in the comic.

Dagger’s costume looks good, though on a real woman it would look not only silly, but borderline pornographic. 

Cloak’s costume is…well…as I mentioned before, a cloak that works in a literal as well as a metaphorical sense. 

Which is why he REALLY needs to wear one. 


What Cloak & Dagger Needs (To Do) To Succeed

Marvel Television, unlike their stablemates at Marvel Studios are very hit and miss as far as translating their characters goes.

So far–when they’ve dealt with ‘street-level’ characters like Agents of S.H.I.E.L.D. Daredevil, Jessica Jones and Luke Cage, they’ve been relatively successful.

The problems arise when they try to tackle characters that exist is a more fantastical context than the streets of Hell’s Kitchen  (it’s worth mentioning that, budget-wise, Marvel’s Agents  of S.H.I.E.L.D. is likeliest the most expensive Marvel Television production thus far) where all roads lead to Inhumans, quite possibly their worst received production yet (including Iron Fist) which seemingly required more in the way of a budget than Marvel Television was willing to spend.

Which leads to Freeform’s upcoming series based on Cloak & Dagger.  They’re also street-level characters (the story is essentially Romeo and Juliet with superpowers) so they’re not far from what Marvel Television typically tackles.

The (potential) problems do with the depiction of their powers–with Cloak being much more problematic–in that on top of an ability to transport himself and Dagger he’s literally a walking doorway to another dimension.

And if that potentially weren’t enough of a hurdle, there’s a creature within that dimension that feeds of the ‘light’–which should be equated to ‘life’–of other living beings.

Now there’s no way of knowing if the series will stick closely to canon, but for it to not do so would be a wasted opportunity–the creature within Cloak could be treated as the physical manifestation of his own addiction, making his efforts to deny it the sustenance it needs all more poignant.

But that’s also not the cheapest way to approach the subject matter, which is where the concern comes in.

The greatest single expense of Cloak & Dagger is likely the depiction of his powers, and if Marvel Television tries to do it on the cheap the series will suffer for it.


Cloak & Dagger premieres on Freeform June 7.

This November, Marvel and Netflix Unleash The Punisher

imageMarvel’s The Punisher will premiere November 17, which we didn’t learn during Marvel Television’s presentation at the 2017 New York Comic-Con because if never actually happened.

The panel for the latest Marvel Television/Netflix co-production was cancelled  out of respect for those who were killed in Las Vegas (which makes sense considering the Punisher is particularly fond of guns.  And while the violence that he projects is typically directed at various shades of criminal–and isn’t real–I applaud Marvel for being wise enough to see that it would have been in particularly bad taste).

Though what’s worse than ‘bad taste’ is willfully neglecting the issue, which is the ready availability of guns combined with the moral cowardice of our so-called representatives–who respond to almost monthly mass shootings with condolences and regret, but never with legislation that actually does anything to prevent such violence in the first place (so forget about anything as commonsensical as limiting the amount of guns one person can own–or ways to make them even deadlier, like bump stocks).

Let’s be honest: if we had rules to limit the amount of weapons a person could own, if conversion kits (which change a semi-automatic rifle to, essentially a full automatic) were illegal to sell or own, if background checks to purchase weapons were thorough and rigorous and if buying a gun meant you were registered in a national database (which would flag ‘unusual’ purchasing patterns) it likely wouldn’t be the end of gun violence.

But it would (probably) be lessened considerably, and mass shootings would be significantly less ‘massy.’

Though even if it did nothing at all, it would be better than burying our collective heads in the sand, waiting for the next time.

And isn’t that a bit more important than whether or not the Punisher appears at Comic-Con?

Inhumans – Trailer 2

The more I see trailers for Marvel Television’s Inhumans, the better it’s starting to look.  The FX is fine (and while Lockjaw himself looks great; his transport effect?  Not so much) and while I’m hardly waiting with baited breath, I am interested enough to catch it in theaters (mainly because I am curious if it looks cinematic enough to warrant the involvement of IMAX.

Marvel’s Inhumans – Official Trailer 1

I have to admit that I liked the first trailer for Marvel Television’s upcoming Inhumans a lot more than I thought I would.

That being said, that doesn’t mean that there weren’t a few problems. such as…

  1. Way too many guns.


The whole point of the Inhumans is that they have abilities that set them apart from regular humans (something another Marvel Television show Agents of S.H.I.E.L.D.  understands quite well)

Here? Not so much.

      2. (Too) Obvious Fan Service

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The woman pictured is Crystal, and as you can see from the image below, she looks a lot like the version of her character from the comics.  The problem is that that hair is too faithful to the comics, and doesn’t translate to an actual person very well almost pulling me out of the drama, instead of immersing me (as it should).

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       3. Lockjaw is Glorious!

Though all is not lost because Lockjaw (which should have been the most difficult idea to get across) looks absolutely glorious!  Though admittedly he’s not seen for long (and the transporting effect isn’t that great) when he does turn up, so did my smile.

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New Inhumans Poster

On the left is the latest poster for Marvel Television/ABC’s upcoming series The Inhumans, and it’s…okay.

It does have a sense of drama (though Medusa’s hair continues to look terrible, mainly because if lacks the voluptuousness that it typically has in the comics, rendering it flat and lifeless).

That being said, I admit that the production has me–based on the admittedly limited information I possess–a bit concerned.

First off, Scott Buck (Dexter, Iron Fist) is the showrunner and while the latter series was much better than most critics have given it credit for, it also wasn’t as engaging as any of the other Marvel/Netflix series so far introduced (and felt to me like Buck knew little about the source material).

Another potential issue is one I’ve touched on before, which is how the characters (and in particular their costumes) look.

And trust me, I get why the producers likely chose to change how Black Bolt looked from the comics: while movies lately ar making these characters more comic-accurate I am not entirely sure that it would work as he’s traditionally pictured.

After all, he’s the king of his people, though nothing about his current costume says ‘royalty’ (though that’s perhaps not not quite fair, though it would need to be relayed to the audience somehow).

In fact, it just looks like–to someone who unfamiliar with him or doesn’t follow the comics–like any other superhero.

And that’s not a good thing when you have so much running on a series.

Marvel’s Agents Of S.H.I.E.L.D. Are Back for Season 5!

If there were an award for Most Improved Television Series, the likelihood is high that Marvel’s Agents of S.H.I.E.L.D. would be a contender, if not the winner.  It started life not sure what it wanted to be, and seemed to survive primary on the strength of Phil Coulson (Clark Gregg) who’s character had seemingly died in  2012’s The Avengers.

So, while it’s taken time to find its footing–arguably around the Second season–it’s developed into one of the best comicbook based series on television (seriously, if you haven’t watched since its first or second seasons you might want to give it a try because it’s really that good).

Though the bonus is that the series has been renewed for its fifth season!  Part of what aided in its renewal is the idea of story ‘pods’ by the producers, which is  a typical season consisting of three or four stories, as opposed to one or two,which has a curious effect of creating a faster-paced and much more enjoyable series.

Then there’s Ghost Rider (who arguably hasn’t been done better) and Inhumans.