I like this trailer a lot though what’s most interesting (at least to me) is that it reminded me of Gareth Edwards’ Monsters except unlike in the case of that movie stuff seems to actually happen.
Story-wise it looks like some sort of alien consciousness has arrived on Earth, with it’s presence seeming changing the planet in some very interesting ways (which is also similar to Edwards’ movie).
It appears to be trying to adapt Earth’s environment to one more comfortable for it, or is it a beginning of an invasion?
It also feels a bit like Arrival in that no one seems to understand why it’s there, and what’s it’s underlying purpose is.
I’m in the process of editing my review of ROGUE ONE: A STAR WARS Story so check back for the full version!
Though I have to say that I really did not like this movie. Say what you will about the prequels, at least they felt like Star Wars movies.
Rogue One? Maybe the last 35-40 minutes felt like a Star Wars movie though the bulk of it felt like the worse kind of war movie, namely the type where you don’t give a damn about anyone.
Such a lack of character development you can get away with in a three or four minute short, though when you’re talking about a movie that runs almost two hours and a half it’s near inexcusable.
I honestly can’t tell if it’s the writing or the direction that’s at fault, but dealing with any sort of human emotion isn’t exactly director Gareth Edwards‘ strong suit (something’s that’s fairly obvious if you have seen either Monsters or Godzilla, though to be fair Rogue One makes Monsters feel almost pornographic in its displays of human emotion and relationships).
Clearly people are seeing the movie, but I get the feeling that if there weren’t the connection to Star Wars, most wouldn’t give a damn.
Does the image to the left remind anyone else of the scene in Close Encounters of the Third Kind when the alien mothership hovers over Devil’s Tower?
That’s the first thing that came to mind when I saw this image from Rogue One: A Star Wars Story.
The other thing was that, if I’m lucky, it might also be the first movie directed by Gareth Edwards that I think I might enjoy.
Monsters was underwhelming, and Edwards with Godzilla pulled of the seeming impossible: namely making a Godzilla movie that was dull.
Here’s to Rogue One making up for lost ground, directorially speaking at any rate.
Independence Day isn’t the only movie that’s enjoyed a ‘resurgence’ as of late. Most recently, Godzilla has joined to club with Godzilla: Resurgence
And I honestly think that you see more of Godzilla in the trailer than you do in the entirety of Gareth Edwards’ 2014 eponymously named movie.
That being said, as much as I wanted to see more of the big lizard, having done so I recall the adage ‘Be careful of what you ask for, you just might get it’ because this version of Toho Co.’s venerable kaiju looks a bit…weird.
Check out the scrawny arms and dissicated-looking skin. He shares some visual cues with a tyrannosaur, though looks oddly zombified and more than a bit terrifying.
Which is interesting because traditionally Godzilla has never looked particularly scary. Its (which has been at various times male and female, I think) primarily claim to fame were its humongous size, Japanese city-crushing tendencies, and radioactive breath.
Visually? Always interesting, though honestly never evoked a reaction one way or another.
This most recent version? Monstrous.
I also like that it still seems to still be a guy in a rubber suit. Sure, technically speaking you can do less with a more practical Godzilla, but there’s one thing it its favor: It’s actually there.
Let me cut to the chase. I am not particularly enamored of Gareth Edwards as a director.
The problems start with his filmography. First you have Monsters, a movie where the aforementioned monsters felt like an afterthought which shouldn’t be the case with a movie named Monsters. His followup, Legendary’s Godzilla suffered a similar fate, with Godzilla not showing up till the latter third of the movie.
Is Edwards a good fit for a Star Wars movie? Based on what I have seen so far, I don’t think so. There are rumors that a large section of the movie had to be reshot due to the overly pessimistic tone the director struck.
That being said, reshoots aren’t unusual for a movie of this nature, so the truth probably lies somewhere between the two extremes.
What I can say is that what I have so far heard about Rogue One: A Star Wars Story makes me more interested in seeing it since the three movies that made up the original trilogy.
And for me, that means a lot.
Besides, I really, really, REALLY like the poster.
The strange thing about the latest trailer of Godzilla: Resurgence is that when you see the world’s most popular kaiju it feels like he turns up more in that small period of time than he did for the entirety of 2014’s Gareth Edwards-hemmed movie.
That’s an exaggeration, though not as huge as you’d think considering its length.
In this instance the producers clearly know who people are turning out to see because the only ‘voice’ you hear is Godzilla’s roar, accompanied by dramatic music.
And I have to say, while I like that they’re sticking with the practical, man-in-a-suit approach that they’ve used when the character first turned up in the 1950’s, his arms look sort of goofy (they’re too well-defined, which coupled with their small size looks really strange).
That looks works fine on a Tyrannosaurus, not so much in this case. Then there’s his chest, which si too big; as if he’s been hitting the flat bench hard on his off days–when he’s not busy destroying Tokyo, that is.
Gareth Edwards’ Godzilla Isn’t The Same Monster Many Of Us Grew Up Watching, Which Sometimes Isn’t A Good Thing
In The Beginning…
I remember when I was growing that I spent many Saturday afternoons in front of a television, watching monsters like Gamera, Mothra and Godzilla. They tended to have come into being due to the hubris of Man, as well as our tendency to use nuclear weapons, which inevitably got out of hand.
Though Mothra was most interesting because, besides being a giant moth, it was summoned by these two tiny women. And by ‘tiny’ I mean literally small enough to fit in the palm of your hand, which made no sense at all. Then again, Gamera could not only breath fire, but when he retracted his legs, arms and head into his shell he was capable of flight. So really, can I complain about two micro-women all that much?
The first movies that dealt with both Gamera and Godzilla were fairly serious things, seeing that they were analogies about the dangers of nuclear weapons (which makes sense when you take into account Japan was the only nation that was attacked using them).
So if anyone was able to comment upon such things with authority, it’s the Japanese.
But a funny thing happened…as the adventures of Godzilla continued, they got goofier. And when I write ‘goofy’ I mean that when Godzilla wasn’t throwing karate kicks, seemingly held aloft by his massive tail or talking smack at MechaGodzilla (via hand signals and attitude), he was hanging out with a baby Godzilla who instead of breathing fire, breathed smoke rings (unless you stepped on his tail, then look out).