This is a fascinating trailer (and probably more interesting than any trailer has any right to be), so let’s start at the beginning.
First off, take a gander at this. Why are they wearing these masks? It certainly isn’t for reasons of protecting against the introduction of bacteria because they have so many large holes that they would defeat the purpose.
Though they do look especially cool.
And I think I might know a potential source that inspired them. The ‘androids’ below are from an episode from Year Two of Space:: 1999, One Moment of Humanity.
Coincidence? Maybe, maybe not.
Then there’s this which implies in the future AMD is not only doing WAY better than they currently are, but they may have even surpassed Intel, which is interesting for all sorts of reasons.
There there’s this, the logo of the Weyland-Yutani Corporation.
Which remarkably similar to this…
Known as the Winged Sun, this iconic symbol from ancient Egypt is associated with divinity, royally and power and a fitting symbol for what is likely the most powerful corporation in the Alien universe.
And last but not least, there’s this…
From the trailer this looks like Walter (Michael Fassbender) is hanging with other synthetic people, but why are they all so…white? It seems a rather odd omission when when you take into account that Ridley Scott himself has been accused of whitewashing (Exodus: Gods and Kings) and it would have certainly simple for him to include at least one person of color.
I honestly don’t know about this movie, both literally and figuratively because it doesn’t feel as if there’s any particular reason to make it more than someone thought that the video game is awesome and would makes a great movie.
And who knows? Maybe it will, maybe it won’t (I said I don’t know).
Though what’s more pressing at the moment is the Animus, and what to me looks like a (relatively apparent) logic hole. In the screenshot from the video below you’ll not notice that I’ve included a scene where an arm of the device that’s part of the Animus process is attached to Fassbender’s back.
As far as I can tell, the point is to mimic the motions his past aspect is going through, so if he falls, the arm lifts him to an approximate height, so he can mimic the motion in the present day.
Now here’s the problem: The space where the Animus looks to be set up looks far too small to mimicking the actions of what his avatar is going through.
For instance, you see scenes of Fassbender’s avatar literally diving off buildings that look hundreds of feet tall.
The point being, I’m guessing that that mechanical arm has to be approximately the same distance from the ground as the leap his past self is making or he’s going to be a handsome splash on the ground.
It’s a little thing, but little things count, especially when you’re supposedly establishing a new franchise.
Michael Fassbender as Macbeth? I was never a huge Shakespeare fan though I always had a special place in my heart for Macbeth (“Double, double, toil and trouble…”). So, despite the fact that there are no spaceships, monsters (at least none not of the human variety) or superheroes, this is a movie that I’d consider catching.
Michael Fassbender appears to be an excellent Steve Jobs in Steve Jobs. That being said, the trailer seems to spend a bit of time focusing on some of his more…unsavory behaviors, such has the way he was a dick toward his ex. It comes off a bit unseemly, though I guess as long as it’s balanced by him not acting like a total ass–or being innovative–it’s all buena.
Besides, if you don’t include instances of his ego running rampant then the movie would play like a Hallmark card, which anyone at all familiar with the mercurial former head of Apple Computer would tell you isn’t quite true.
What I am certain about is that Danny Boyle is a great director, and the fact that he’s helming it should result on a pretty intense journey into the heart of the Apple.
When the news came out that David Fincher was no longer directing the upcoming Steve Jobs biopic, and that Danny Boyle was, people on various forums were complaining about what a terrible choice that was (especially compared to Fincher).
I wasn’t amongst them because I have always thought that Boyle was a very talented director. Everything he’s done may not be perfect–then again, what director, acclaimed or otherwise, has ever reached such a lofty goal?–but most of it is undeniably interesting.
As is the casting of Michael Fassbender, in that he looks nothing like Jobs; though judging from what you can see here, his mannerisms and speech are very evocative of Apple’s famously mercurial leader.
It looks like it could be a winner; though I wonder if Aaron Sorkin’s script was authorized by Apple or the Jobs estate? I haven’t heard any protests from either, so I assume so.
“”Frank” Is Thematically Reminiscent Of “Boyhood,” Except Stuff Happens.”
Lenny Abrahamson‘s Frank in some ways reminded me of Boyhood, in the sense that both movies are about change and growing up, but what I find most interesting how the former film is at times touching, sad, funny and irritating, as opposed to the latter, which–particularly after the second hour–became a test in audience endurance.
Frank revolves around a band, Soronprfbs, and their enigmatic lead singer, Frank (Michael Fassbender) who wears a huge paper mache head everywhere. And I mean everywhere.
In fact, you don’t see the character without it till the last fifteen or twenty minutes of the movie.
Did I mention he NEVER takes off the fake head?
What makes Frank, the movie, though the individual is pretty interesting as well, so fascinating is that any other movie that revolved around a guy who who wore a huge paper mache head everywhere you could be relatively certain that it would be the crux of the entire movie.
Instead the movie is about growing up, and understanding that sometimes to build something beautiful you have to break it down.
I wish Boyhood were nearly as succinct and profound; though mainly succinct.
Frank is currently on Neflix.
SPOILERS ABOUND! IF YOU HAVE NOT SEEN X-MEN: DAYS OF FUTURE PAST GO AWAY TILL YOU HAVE BECAUSE SPOILERS ARE LIKE LANDMINES. THEY’RE HIDDEN TILL YOU STUMBLE UPON THEM, THOUGH BY THAT TIME IT’S TOO LATE, AND SOMETHING IMPORTANT IS LOST.