Stephen King was a cottage industry long before this apparent frenzy–likely due to the bazillion dollars IT made; a movie that was…fine but by no means as anything as people seemed to think–to remake his books came into play. Which when you think about it is a bit odd because it’s not like King doesn’t […]
The latest trailer for Stephen King’s IT dropped a few hours ago, and the first thing I wondered when I saw if was if IT was also a part of the Stranger Things universe. Both feature Finn Wolfhard, both revolve around a group of young people on the cusp of the adult world–and the secrets that […]
When I went to catch Alien: Covenant last Sunday (review coming soon!) I saw a poster for a movie called Polaroid. Polaroid cameras in general would be an interesting way for evil to spread after all there’s something mildly disturbing about watching an image appear–almost ghostlike–when there had prior been nothing. One of the original trailers […]
As far as I’m concerned–at least initially–the best horror is in the sizzle, not the steak. Keep in mind that in Steven Spielberg’s Jaws for a good portion of the movie you never see the shark at all (for the most part a fortuitous accident. The mechanical shark, known affectionately as Bruce, more often than […]
“Kimberly Peirce’s Carrie, As Far As Remaks Goes, Isn’t Terribly Necessary, Though It’s Worth Seeing Anyway.” For the longest time I’ve avoided watching Kimberly Peirce‘s remake of Brian DePalma’s Carrie because I just didn’t see the point, especially since from what I had seen from the trailers it wasn’t saying anything that the original didn’t. […]
Alexandre Aja is one of the most consistently interesting horror directors working today. His Maniac remake–which he wrote with his writing partner, Grégory Levasseur–was excellent, and the work he did direct, such as High Tension (a fascinating movie that irritates the Hell out of me–in an Usual Suspects kind of way. It’s a long story), The Hills Have Eyes […]
Tusk comes courtesy of Kevin Smith, a director that I find more interesting as a media personality than as a director. The last film of his I saw, Red State, I recall being disappointed over because it advertised itself as one thing–a horror film–when it was actually quite another–essentially a thriller about religious zealots. His most […]
Some Memories, And Coma Patients, Are Best Left Alone Mark Hartley‘s Patrick, is currently on Netflix, and is surprisingly a engaging little horror film (before it jumps the rails, that is). I was expecting something silly, on the level of an Asylum feature, it was actually pretty engaging, before the aforementioned rail jumping. Charles Dance brought a much needed […]
I don’t get this movie. There’s a small town, heinous crimes involving young women and someone played by Daniel Radcliffe growing horns. Horns was written by Joe Hill, who happens to be the son of Stephen King. He’s probably not as prolific as his dad (which means that he’ll produce a full-length novel only every other week). What’s in the […]
Guillermo Del Toro is, it goes without saying, one of my favorite directors working today. His work is always interesting, even if doesn’t make billions of dollars. He’s been working with Legendary Pictures since “Pacific Rim,” which did OK at the boxoffice. I haven’t heard anything about a sequel, though he’s currently working on “Crimson […]
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