You Can’t Be Missed If You Won’t Go Away

I just read an article about how Zach Snyder’s plans for the DCEU were supposedly so “epic, grand, emotional, joyful and unforgettable” which bothers me more than a little bit because we’re hearing more about Snyder’s plans for this and intentions for that now than when Justice League was actually in theaters.

As I have said before, Zach Snyder is a talented director, but his vision left A LOT to be desired and was by no means fitting for the characters he was developing.

And his greatest problem was an attempt to apply a ‘one size fits all’ esthetic to DC characters (inspired by Christopher Nolan’s work on the Dark Knight trilogy).

A dark, gloomy feel works fine for Batman–though the constant murdering? Not so much–but the problems start when you try to apply the same esthetic to apparently EVERY character in the DCEU.

Superman is–virtually by design–the polar opposite of Batman. He exudes optimism and hope, and while Batman–who isn’t necessarily nihilistic or pessimistic–does embody a world weariness of sorts, a feeling that the individual is constantly fighting against the tide.

So Zach Snyder–either by design or accident–misread the essential nature of the characters he was working with, and made them look like those most of us have been familiar with and instead twisted them into weird, strange versions of themselves.

And the worse thing is, all Snyder and the executives at DC Films had to do is follow the example of what Marvel Studios did with Captain America, namely double-down on those traits (his honesty, forthrightness and a relatively ‘simple,’ black and white worldview) that were defining traits for the character for most of their existence.

in other words, Superman changed to fit the world we live in today, while Captain America stayed pretty much as he was in 1941, in all his squarish glory and was witness to the world changing around him to a time when his values and (relative) moral simplicity once again came back into vogue.

So Zach Snyder essentially ruined Batman and Superman as millions of people knew them so we need time to forget his funhouse mirror interpretations of our much loved superheroes, which won’t stand a chance of happening if he (or those in his orbit) keep implying that the only that was wrong with movies like Man of Steel, Batman V Superman: Dawn of Justice and Suicide Squad was that we just weren’t clever enough to get it or maybe if we were just a bit more patient the wonderfulness infrequently seen would somehow make an overdue appearance.

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