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SCREENPHILES

Living At 24 Frames Per Second

Author: ScreenPhiles

The Home for Genre!
Written by ScreenPhilesJuly 20, 2020July 20, 2020

My Two Cents | Why Star Trek Fans Hate Alex Kurtzman

I’ve never been a Star Trek fan, not really. Sure, I grew up watching Star Trek but that was more due to the fact that there was nothing else available. It’s the same reason I watched Lost In Space. I didn’t love it, particularly the later episodes, which were often silly, but it was also […]

Written by ScreenPhilesJuly 19, 2020July 19, 2020

REview: Come To Daddy (2019) | Stephen McHattie’s Back!

All I need to say about Ant Timpson’s Come To Daddy is that it co-stars the brilliant Stephen McHattie, Hollywood’s go-to actor when you want a vaguely sinister older white person in your movie. With a face like a worn leather saddle and a voice like rusty hinges, he has to rank among the best […]

Written by ScreenPhilesJuly 17, 2020July 17, 2020

REview: Vivarium (2019) | Weirdness For Weirdness’s Sake

I think I must be growing up because you’d think Vivarium would be a movie I’d take to like a duck to water. And initially I did, till I noticed something: the weirdness seemed to serve no point. In my review I mention both The Prisoner (1967) and The Signal (2014), two series that did […]

Written by ScreenPhilesJuly 13, 2020

REview: The Old Guard (2020) | The Action Debut of Gina Prince-Bythewood

Women directors aren’t exactly a known quantity as far as action movies go, and I suspect that that’s less a commentary on their ability to do the job than preconceived notions about what they as women can and cannot do. And that’s a shame though it’s also a trend that’s beginning to change. And speaking […]

Written by ScreenPhilesJuly 11, 2020July 12, 2020

REview: Consequences (2018) | One Of The Better Movies Revolving Around The Gay Experience

Have you heard of the idea of “the magical negro?” The phrase revolves around the idea that oftentimes – less so now, I think – black people in movies are treated as almost magical beings, like leprechauns, dispensing folksy knowledge, wisdom and little else. It’s a dehumanizing way of depicting black people for directors that […]

Written by ScreenPhilesJuly 8, 2020July 11, 2020

REview: Absentia (2011) | An Early Entry In Mike Flanagan’s Filmography, Best Suited For Completists

I don’t think I’m being hyperbolic when I say that Mike Flanagan is among the best – if not the best – directors currently working in horror. And you likely noticed that “Mike Flanagan” isn’t either Guillermo Del Toro, James Wan or Andy Muschietti. And that’s because Del Toro – while never far from the […]

Written by ScreenPhilesJuly 6, 2020

REview: The Night Eats The World (2018) | A Zombie Movie You Might Have Seen Before (Even If You Haven’t)

Looking at Dominique Rocher’s The Night Eats The World in a somewhat cursory fashion, you might assume that it’s a copy of Danny Boyle’s 28 Days Later. Sure, it takes place in Paris, while 28 Days Later calls the UK home. The latter revolves around a man named Jim (Cillian Murphy), who wakes up in […]

Written by ScreenPhilesJuly 5, 2020

REview: Ju-On: Origins (2020) | A Watchable – Though Muddled – Prequel Series

If you ask me the entire point of a prequel – be it a movie, television series or whatever – is to elaborate on, to build upon. what currently exists. I mean, as much hate as is typically thrown at Exorcist II: The Heretic (a favorite of mine) – which is technically a sequel though […]

Written by ScreenPhilesJuly 3, 2020

REview: Dark Circles (2013) | A Surprisingly Effective Horror/Thriller

It’s the best thing when you stumble upon a pleasant surprise where one wasn’t expected, which was how I felt about Paul Soter’s Dark Circles (currently streaming on Tubi). The movie is a horror/thriler about a couple (Johnathon Schaech and Pell James) who move to a new house in the country. Part of the reason […]

Written by ScreenPhilesJune 30, 2020

REview: Sorry To Bother You (2018) | Biting Off More Than You Can Chew

Boots Riley’s Sorry To Bother You is an ambitious movie, way more ambitions that anything a first-time director has any right to tackle (prior Riley co-directed a short with Chris Wroubel). Lakeith – or is that “LaKeith? – Stanfield (Knives Out) is Cassius Green, a guy who’s moving through life in a perpetual state of […]

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