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SCREENPHILES

Living At 24 Frames Per Second

Category: directors

Written by ScreenPhilesJanuary 21, 2021January 21, 2021

REview: La Casa (2019) | Those Who Ignore The Past Are Doomed to Repeat It

Jorge Olguín’s La Casa revolves around Casona de Quinta Normal in Chile, which was been associated with paranormal events for decades…even after it was converted to a community center. Which sounds like a really interesting thing to make a movie about, except that La Casa isn’t really about Casona de Quinta Normal, not really, more […]

Written by ScreenPhilesJanuary 16, 2021

REview: Don’t Tell A Soul (2020) | The Ties That Bind Can Also Destroy

I received an invite from Dread Central to catch an early release of Alex McAulay’s Don’t Tell A Soul, which I went into it blind. I’m not sure why I did though I’m really glad that I did because after having seen it, if someone called it a “masterpiece” I could understand where they were […]

Written by ScreenPhilesJanuary 11, 2021

REview: Tenet (2020) | Few Movies Are As Fascinating (And As Irritating) As This One

Having seen Tenet recently from the relative safety of my apartment, I’m glad that I didn’t risk my life to see it in a theater because it’s not only too long – at 2 1/2 hours it could have easily been whittled down at least a half hour – but it’s also more than a […]

Written by ScreenPhilesJanuary 5, 2021January 5, 2021

REview: We Can Be Heroes (2020) | Children May Not Like This (With Good REason)

We Can Be Heroes is the first of the movies that Robert Rodriguez occasionally writes and directs for children (Sharkboy and Lavagirl, Spy Kids) that I have watched in it’s entirety and it’s as banal as I always assumed that the movies he’s written and directed for children would be. And it’s worth mentioning that […]

Written by ScreenPhilesDecember 31, 2020

REview: Primal Rage (2018) | Flirts With Bigfoot Perfection (though Comes Up Short)

Good Bigfoot movies are hard to come by. Off the top of my head I can recall (“sorta” as far as the former is concerned) The Legend of Boggy Creek (1972), Willow Creek (2012) and Exists (2014). Which isn’t to say that there’re aren’t more, just that they aren’t particularly good. Prove me wrong. They’re […]

Written by ScreenPhilesDecember 24, 2020

Trailer Into REaction: A Match Made In Hell (2020) | Official Commercial

Typically I don’t particularly care much for commercials though I also have to acknowledge when they’re done particularly well. For instance, the Geico and and Progressive commercials have been pretty entertaining for a while now (though the latter ebb and flow. The most recent bunch I’m haven’t been terribly impressed by. They’re not terrible, just […]

Written by ScreenPhilesDecember 21, 2020

REview: Train To Busan Presents: Peninsula (2020) | What A Sequel Should Be

I was really impressed with Sang ho-Yeon’s Train To Busan (2016) though when I heard that there was a sequel I was curious about it but also somewhat concerned because sequels can be franchise killers in that they either are clones of the original movie – making them pointless – or they’re so wildly divergent […]

Written by ScreenPhilesDecember 18, 2020

REview: Greenland (2020) | Putting a Human Face On The Apocalypse

Considering the disaster of a year we’re currently enduring I didn’t imagine I want to see – much less enjoy – a movie about a comet slamming into the planet – though could it make things any worse? Judging from Ric Roman Waugh’s Greenland, the answer is “Yes. Yes it could.” That being said I […]

Written by ScreenPhilesDecember 15, 2020

Trailer Into REaction: The Cleansing Hour (2019) | Official Trailer

Trailers are important but I’d argue that titles are even more so because you’re likely to hear them long before you see a trailer, and make your mind accordingly. For instance, let’s look at The Cleansing Hour, a horror film by Damien LeVeck (I wonder if that’s a pseudonym) about some people who fake exorcisms […]

Written by ScreenPhilesDecember 14, 2020December 14, 2020

REview: Castle Freak (2020) | A Great Movie & Reboot

I tend to dislike reboots with a passion because – more often than not – they tend to either be cynical money grabs or retreads of what we’ve already seen. In other words, typically wastes of time. For instance the reboot of Total Recall (2012) wasn’t terrible but the original, directed by Paul Verhoeven (Robocop), […]

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