Rogue One: A Star Wars Story – Official Olympics Trailer

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Does the image to the left remind anyone else of the scene in Close Encounters of the Third Kind when the alien mothership hovers over Devil’s Tower?

That’s the first thing that came to mind when I saw this image from Rogue One: A Star Wars Story.

The other thing was that, if I’m lucky, it might also be the first movie directed by Gareth Edwards that I think I might enjoy.

Monsters was underwhelming, and Edwards with Godzilla pulled of the seeming impossible: namely making a Godzilla movie that was dull.

Here’s to Rogue One making up for lost ground, directorially speaking at any rate.

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My Two Cents – Rogue One: A Star Wars Story

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Let me cut to the chase.  I am not particularly enamored of Gareth Edwards as a director.

The problems start with his filmography. First you have Monsters, a movie where the aforementioned monsters felt like an afterthought which shouldn’t be the case with a movie named Monsters. His followup, Legendary’s Godzilla suffered a similar fate, with  Godzilla not showing up till the latter third of the movie.

Is Edwards a good fit for a Star Wars movie? Based on what I have seen so far, I don’t think so. There are rumors that a large section of the movie had to be reshot due to the overly pessimistic tone the director struck.

That being said, reshoots aren’t unusual for a movie of this nature, so the truth probably lies somewhere between the two extremes.

What I can say is that what I have so far heard about Rogue One: A Star Wars Story makes me more interested in seeing it since the three movies that made up the original trilogy.

And for me, that means a lot.

Besides, I really, really, REALLY like the poster.

Love Disney, But Iger Seems A Bit Douchy

Screenshot 2016-06-15 16.25.12I am a huge fan of Disney, not because of their characters–which for the most part I find cloying and treacly–than the business acumen of Bob Iger, who had the sense to see the value in LucasFilm, Marvel Studios, and Pixar, all of which he purchased; each of which are virtually licenses to purchase money.

Captain America: Civil War is still in the Top 10–that’s called ‘legs,’ baby–despite being released May 6–has earned  earned almost $1.5 billion at the box office, while Zootopia–via Disney Animation–has earned just over a billion.

And you have Finding Dory coming up next from Pixar, and estimates have it opening somewhere in the ballpark of $125 million.

That’s a lot of money.

That being said, what most people think of when they consider ‘Walt Disney’ is probably the theme parks, which is why I found his response to Bernie Sanders, who drew attention to the pay earned by people that work there.

In response Iger asked how many jobs has Sanders created, which is interesting, though sort of silly because that’s not quite how Government works.

Though more importantly, he didn’t respond to Sanders’ point because Sanders was talking about how much people earned who work at Disney’s theme parks, while Iger responded by attacking him for being a Democratic Socialist, on top of asking how many jobs he had created.

As I said, that’s not what Sanders asked.  He was referring to how much people earned at Disney theme parks, NOT to how many people they’re employing because Walmart employs a lot of people too, though the last I heard many of them rely on government programs to make the difference from week to week to pay the bills–because their take-home pay is relatively little–though how much they earn is just as important–if not more so–than how many people they employ.

Disney is making money hand over fist, and it’s about time that they send some love–by which I mean money; love is awesome, but it doesn’t pay the bills unless you’re sleeping with your landlord.  And your cable and telephone provider (though they’re probably the same)–their workers way because THOSE WORKERS ARE DISNEY, and should be treated as such.

Rogue One: Trailer

I enjoyed J.J. Abrams’ interpretation of the Star Wars universe with The Force Awakens, but it felt too shiny, too clean.

Now Rogue One feels like a Star Wars movie should.

Or maybe it’s just seeing old school Star Destroyers and the original Death Star, though I think that it’s the grim tone, the grit and the desperation of a Rebel Alliance put on the ropes by an ascendant Imperial Empire.

Desperation suits Star Wars.

Somehow Star Wars: The Force Awakens Hasn’t Made As Much As Avatar

Star Wars: The Force Awakens–I’m starting to warm up to that subtitle, at last–is approaching the box office of Avatar and I don’t understand it.

What’s confused me is that I don’t understand how it is that Avatar was able to reach such box office heights in the first place.

Let’s be honest, it’s not a particularly innovative movie–besides how it was made, that is–and the story is essentially cowboys and indians (Cowboys & Aliens?) with an environmental twist.

(Though if I were honest, it lost me when they had an AMP–Amplified Mobility Platform–grab a knife).

It’s a battle suit.  Make the weapon part of it.  That way, it can’t drop it.

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Anyway, that’s not to say that the latest Star Wars movie is innovative either–it’s essentially Star Wars: A New Hope, which was mildly disappointing,  with some shiny new effects.

That being said, after Lucas’ machine-tooled prequels (which were as innovative as Avatar in their own way) Star Wars fans would have paid virtually anything to see a movie evocative of the original trilogy.

And if LucasFilm under Disney is capable of nothing else it’s creating audience-pleasing entertainment (if their Pixar, Marvel Studios and Disney Animation divisions are any indicator) for the greatest possible amount of people.

 

 

Star Wars: The Force Awakens -Review

J.J. Abrams, the director of Star Wars: The Force Awakens had a pretty serious job ahead of him.  In directed the latest Star Wars movies he had to manage to invigorate the franchise, while not alienating long-time fans of the movie.

I’ve discussed this point and more below in my first video review.  It’s a feature that I tend to explore more in future, particularly for bigger movies.

That being said, overall Abrams did a good job, but it’s not perfect.

Independence Day: Resurgence – Trailer

The trailer for the latest chapter in the Independence Day saga dropped a few hours ago, and to be honest I’m feeling a bit overwhelmed.  Between Star Wars: The Force Awakens, Captain America: Civil War and Batman v Superman: Dawn of Justice and X-Men: Apocalypse there are some huge movies coming out relatively soon.

There’s potentially millions riding on when these movies drop because–as we have seen with In The Heart Of The Sea, an otherwise decent looking movie except for the fact that it’s expensive (supposedly somewhere in the ballpark of $100 million) and was released a week before Star Wars: The Force Awakens–I get the feeling that one, or even two of these movies aren’t going to do nearly as well as prognosticators like to think.

Which leads to Independence Day: Resurgence.  While it’s good to see Roland Emmerich moving away from the whitewashing of gay history in Stonewall, I am not sure that a sequel to Independence Day–sans Will Smith–has the box office muscle to take on Captain America, Batman and BB-8.

Like I implied earlier, if this is released with a few months of breathing room, it will probably do fine.  If it goes against any of the movies I’ve listed above–minus In The Heart Of The Sea, which will likely have left theaters–then Independence Day: Resurgence might not be able to stand against the tentpole tsunami soon to hit land.