Raising Hell(boy)

When I read yesterday that the kibosh had been put on Hellboy III by none other than Guillermo Del Toro himself, I have to admit that I was a bit put out.

And what his account lacks in detail, it more than made up for in finality. 

As I said, I was a bit bothered, till I gave it some thought. The first Hellboy premiered in 2004, and like most projects Del Toro tackled, the love he felt for the subject matter saturated every frame.

The sequel, Hellboy II: The Golden Army came four years later, and managed to build on what was introduced in the first movie, while at the same time expanding on the world of the  B.P.R.D (the Bureau of Paranormal Research and Defense).

And as usual, it was a beautiful movie.  Del Toro was one of the first directors I can recall who used color to saturate a scene and I am confident in saying no one does so with more  assurance than he (the Underworld movies attempted a similar technique, but appeared heavy-handed compared to Del Toro’s use of the technique). 

So would I like to see another Hellboy movie?  Sure, especially since they managed to be unlike anything else produced at the time though as far as I am concerned, Del Toro (in movies) was Hellboy’s heart and soul and if he’s ready to turn the last page of this particular comic, then I am too.   

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