I understand James Gunn (Slither, Guardians of the Galaxy, Vol. 1 & 2) says that Marvel Studios isn’t competing with DC Entertainment and that there’s no bad blood between the two studios.
Which also happens to be a perspective shared by Kevin Feige and Geoff Johns (the heads of Marvel Studios and DC Entertainment, respectively).
That being said, long before there was a Marvel Studios, Marvel Comics was–quite actively in fact–competing with DC Comics (and still are). And sure, it was for the most part good-natured, but that didn’t make it any less a competition.
And that competition benefitted both companies.
But now that that relationship has become inconvenient–I get it. It gets really old that people Tweet him, arguing back and forth about Batman V Superman–but what’s he’s doing is acting as if this conflict, this schism between fans of these characters wasn’t at various points fed and promoted by both DC and Marvel.
And that doesn’t mean that it needs– or should–be continued today, but by seemingly pretending not to see how both companies have contributed to the very problem he’s concerned about is blatantly unfair and unbecoming of someone who’s not only shown himself to be a fan of these characters, but an active participant in the community, as Gunn.
This is on top of the very valid view that Zack Snyder–who was for a time the creative force behind the DCEU–seriously mistreated Batman and Superman, which Gunn seems to not at all willing to take into account.
Marvel Studios’s Guardians Of The Galaxy, Vol. 2 has–so far–earned over $425 million worldwide! The likelihood is high that the it will surpass half a billion by this week, and will more than likely finish its theatrical run over a billion dollars.
It’s worth mentioning that the first movie at the end of its run earned a bit over $773 million, though the sequel is outperforming it handily both domestically and abroad.
Though with Alien: Covenant coming out in 10 days the xenomorphs are looking to to take a bite out Guardians’ box office aspirations, which truth be told is unlikely because Alien: Covenant is R-rated, while Guardians Of The Galaxy, Vol. 2 is PG-13, which means that not only are each geared to a different audience age-wise, but also viewer-wise.
Alien: Covenant will likely skew male, while Guardians Of The Galaxy, Vol. 2 will not only draw males, but a greater percentage of women, and children (the latter of which should not be watching the Alien movie at all).
It’s James Gunn’s world, we just happen to live in it.
Reason being, reviews of Guardians Of The Galaxy, Vol. 2 have begun to filter in, and they’re pretty good.
Though what’s interesting is that they’re not ALL that way, yet there’s not been a peep from either Marvel or Disney as a result.
This to me says that they have faith in the movie, which bodes well.
Another fortuitous sign is that James Gunn is returning to write and direct Guardians Of The Galaxy, Vol. 3 which is sign that not only does Marvel Studios want him to return, but perhaps more importantly HE wants to return.
Kevin Feige also mentioned in a interview that Gunn could perhaps play a greater role in the Marvel Cinematic Universe, shepherding the ‘Cosmic’ side of things.
So, apparently it’s not only Gunn’s world, it’s Gunn’s universe as well!
The idea that James Gunn (Slither, Guardians of the Galaxy) is particularly fond of Moon Knight is really great news because I can think of nothing better than seeing the Fist of Khonshu on the big screen.
But the hurdles for that happening are two-fold. First Gunn is occupied working on Guardians of the Galaxy, Vol. 2, so he doesn’t have time to direct.
The second issue is that Marvel Studios’ production slate is booked so far in advance that even if Gunn were ready to go tomorrow there’s no guarantee that they could fit it into their schedule (according to Screenrant their production slate is filled all the way to 2028).
And that’s working on the assumption that Kevin Feige even thought it was a good idea.
But there’s a way to make it happen. Instead of directing, what if Gunn wrote a treatment that could be ready for shooting but more than likely would form the basis of the movie that others could build on.
Then Marvel Studios would create a new imprint, in the vein of Marvel Knights, that would handle more adult-orientated characters that might warrant an R-rating (and Kevin Feige has said that he didn’t want to create R-rated movies. This way he technically wouldn’t have to though more importantly the characters would remain faithful to the versions that their fans have come to expect).
An important aspect of this strategy would be production budgets falling somewhere in the ballpark of $50-80 million because, while no one wants a movie to fail, if it weren’t able to meet expectations losing somewhere in the ballpark of $80 million is small change compared to the production budgets of most superhero movies today.
Which, if you follow Warner Bros. and DC Films is pretty much par for the course because, as big as the 67.3 percent fall for Suicide Squad was, Batman v Superman: Dawn of Justice performed even worse, declining 69 percent.
And this is problematic because it all the DCEU (DC Extended Universe) movies so far have lacked legs, and declined precipitously in their second weeks.
What this seems to say is that their movies are drawing fans of the material, but not expanding much beyond them.
And it should go without saying that this is a HUGE problem because it’s easy to get those viewers that are fans of the material, not so much for people that are unaware of it.
This is why Marvel Studios’ Guardians of the Galaxy was such a surprise: a movie that featured a CGI tree-man-thing and a raccoon managed to get people not only interested in the subject matter, but curious enough to go to the theater to see it.
Though it’s not unusual for movies of these type to fall in their second weeks. Another Marvel Studios movie, Captain America: The Winter Soldier fell to $41 million in its second week; though it opened to $95 million domestically, falling just over 50 percent, but not enough to stop it from ending its run at over $714 million, on a $170 million budget.
While Suicide Squad? If it finishes its run at much over $500 million, with a budget somewhere in the range of $174 to $250 million, I’d be pleasantly surprised.
Despite being an avid comic reader, prior to Netflix’s Jessica Jones I barely knew anything about the character. I still don’t but I like the way–if the teasers are any indication–where it’s going.
Captain America: The Winter Soldier was a political thriller, Guardians Of The Galaxy was Marvel’s interpretation of a space opera. Daredevil (Netflix’s version) was Mean Streets or Serpico, with superheroes.
Jessica Jones? I have no idea what Marvel is going for, but I get the feeling that they’re going for a Fatal Attraction-sort of vibe, but who knows?
Thought I really want to find out.
This post is based on (admittedly) thin evidence, though there is a logic.
This year Fox released their latest version of Fantastic Four, which was–to put it bluntly–a box-office disaster, earning almost $167 million against at budget of at least $120 million.
At this point, to break even (typically double the production budget), which is the most that Fantastic Four can hope for at this point. There are a lot of people who hope that Marvel Studios regain the license to the characters, though this was before one of the producers, Simon Kinberg, announced that there were plans for a sequel.
Which is utter nonsense, and little more than the producer of a failed movie saving face. The proof is easy enough to see because you’ll find few companies willing to take a franchise that has already failed–and blatantly so–and pump more money into it. By way of example, Disney’s Tron: Legacy earned over $400 million on a $170 million budget while Guillermo del Toro’s Pacific Rim earned $411 million on a $190 million budget. Most of that money was earned internationally, which was probably why Universal was so reticent about going in on a sequel with Legendary.
Both films were moderate successes, yet neither are getting sequels (though hope springs eternal for the latter). Continue reading