Alien: Covenant | Prologue: The Crossing – Trailer

I find this latest trailer for Ridley Scott’s upcoming Alien: Covenant particularly fascinating, though not necessarily for the reasons that I originally thought I would.

I found the idea that Shaw (Noomi Rapace) had initially reassembled David (Michael Fassbinder) somewhat troubling, especially when you take into account the chaos that he had a hand in initiating–never mind the de-facto murder of Halloway (Logan Marshall-Green) though it’s not apparent that Shaw realizes that David was behind that.

Though it actually makes sense that she would repair David because the likelihood is great that she could not pilot the ship alone, and besides the idea of traveling to an Alien–literally and figuratively–with a talking, disembodied head would probably NOT be a great idea.

Besides, Shaw has journeyed light-years across space on the strength of her faith; on the chance that she might meet the people who literally engineered the Human species.

Compared to the wonders she’d seen, and the terrors she’s survived, repairing David is almost a no-brainer.

Though what’s most interesting about the trailer is toward the end, when the ship arrives in the Engineer homeworld and David says: ‘Look on my works, you Mighty, and despair!’

That’s a line from Perry Bysshe Shelly’s Ozymandias and while it’s uncertain how David means it, seeing that the poem revolves around a found remnant of a fallen empire, it doesn’t look good for the Engineers.

Alien: Covenant – Meet Walter – Trailer

This is a fascinating trailer (and probably more interesting than any trailer has any right to be), so let’s start at the beginning.

First off, take a gander at this.  Why are they wearing these masks?  It certainly isn’t for reasons of protecting against the introduction of bacteria because they have so many large holes that they would defeat the purpose.

Though they do look especially cool.


And I think I might know a potential source that inspired them.  The ‘androids’ below are from an episode from Year Two of  Space:: 1999, One Moment of Humanity. 



Coincidence?  Maybe, maybe not.
Then there’s this which implies in the future AMD is not only doing WAY better than they currently are, but they may have even surpassed Intel, which is interesting for all sorts of reasons.

There there’s this, the logo of the Weyland-Yutani Corporation.


Which remarkably similar to this…


Known as the Winged Sun, this iconic symbol from ancient Egypt is associated with divinity, royally and power and a fitting symbol for what is likely the most powerful corporation in the Alien universe.

And last but not least, there’s this…


From the trailer this looks like Walter (Michael Fassbender) is hanging with other synthetic people, but why are they all so…white?  It seems a rather odd omission when when you take into account that Ridley Scott himself has been accused of whitewashing (Exodus: Gods and Kings) and it would have certainly simple for him to include at least one person of color.

Ridley Scott Discovers Fountain of Youth is Made of People

While that title is a bit of hyperbole on my part it does capture Ridley Scott’s feeling about the Alien franchise pretty accurately because in 2014 he said that he was done with the Alien.

After all, Prometheus as originally written by Jon Spaiths was chock full of Alien goodness, though rewrites took care of those pesky xenomorphs (unless you count the proto-Alien, known as the Deacon, that appears at the end of the movie).

Flash-forward to early 2017, and Scott’s not only talking about Alien: Covenant, the sequel to Prometheus but that he’s so keen on the creature he was finished with just over two years prior that he’s willing to crank out sequels as long as people are willing to pay to see them.

And that’s an awesome thing because no one has a visual esthetic as keen as as Ridley Scott, though I am curious as to what changed his mind.

Part of me thugs that 20th Century Fox just pulled up with a massive truckload of money and dumped it at his door, but who knows.

Alien: Covenant – Trailer 2

Don’t get me wrong, the latest trailer for Alien: Covenant looks pretty good–after all, it’s directed by Ridley Scott, so it goes without saying that cinematographically-speaking it’s going to be gorgeous.

What bothers me a bit though is that it doesn’t seem to be doing anything particularly new.

Out the box we get colonists, shots of a spaceship entering an atmosphere that look like outtakes from Prometheus (as I said, it’s gorgeous, but derivative), and hints that the while the colonists may check in to the new planet, most of them won’t definitely be checking out.

And what looks like a potential missed opportunity is that I smell not a whiff of the corporate malfeasance that permeated the two best movies in the series (Alien and Aliens) like a pair of smelly gym sneakers.

And that’s not to say that it isn’t present, but I’m missing the aspects of the movie that implies that, as deadly as the xenomorphs are, humans are deadlier and often our own worse enemies.

Alien: Covenant Movie Clip – Prologue: Last Supper – Trailer

I really, really like this recently released clip from Ridley Scott’s Alien: Covenant because it seems–with good reason–to assume that most viewers are already familiar with the xenomorphs and instead spends its time developing the human characters. 

And there’s more character development in the just over four minute scene than in some entire movies, which is pleasing. 

And the ‘shout-out’ to Scott’s original–which starts around 2:47–is a lot of fun and pretty cheeky.  

Though what’s not so pleasant to me is the appearance of James Franco, that felt a little bit out of place for me.

And I readily admit that I have no particularly valid reason why I feel that way. 


Alien: Covenant Red Band Trailer

Blade Runner 2049 – Teaser Trailer

A teaser trailer was released for Denis Villeneuve‘s Blade Runner 2049, the sequel to Ridley Scott’s 1982 original.

Looking at the trailer, it–at least on the surface–seems to hold a lot in common with the original.

Which is problematic in some ways because the first movie was very much lots of style with relatively little in the way of substance.

Though at least it continues Scott’s fixation with Easter Island-sized heads.

screenshot-2016-12-19-11-47-21

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Upholding The Covenant

Today 20th Century Fox released a teaser poster for Ridley Scott’s Alien: Covenant and the xenomorph is (apparently) once again the star of the show. 

Which is very odd because Scott originally wanted nothing more to do with the Alien universe, which at least partially explains why Damon Lindelhof’s rewrite of Joh Spaiths’ original screenplay exorcised virtually all hints of them from Prometheus

And yet it doesn’t because for someone not interested in dealing with Aliens, he certainly included a lot of the elements of their mythology, such as Weyland-Yutani, a variation of the Facehugger and what can only be called a proto-Alien. 

Weird choices, though maybe they’re an indication that Scott took less of an issue with the universe of Alien than the Alien itself. 

Which isn’t what I’d call a good sign, especially since he’s apparently leading with them.